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Showing posts with label european culture. Show all posts
Showing posts with label european culture. Show all posts

Monday, March 16, 2009

European Decorative Arts Sales in New York Offer Fresh to the Market Private Collections in April

European Decorative Arts Sales in New York Offer Fresh to the Market Private Collections in April

NEW YORK, NY The month of April at Christie’s New York presents three sales of European Decorative Arts, which will bring fresh to the market works from the 17th century to the modern day, from several private collections and museums.

With a range of price points featured in each sale, collectors will find one-of-a-kind examples of furniture, sculpture, ceramics, tapestries, clocks and decorative works of art varying from the scholarly to the fantastic, and the austere to the ornate.

Important English Furniture, Clocks and Ceramics – April 7

Three estates lead the English Furniture, Clocks and Ceramics sale on April 7 — The Collection of Professor and Mrs. Clifford Ambrose Truesdell, Property from the Estate of Mr. & Mrs. Gordon T. Southam, and The Property of a Private Canadian Collector.

The Collection of Professor and Mrs. Clifford Ambrose Truesdell

Professor and Mrs. Clifford Ambrose Truesdell were a delightfully eccentric couple who shared an appreciation for the classics, music and art. Their diverse collection of Italian, Dutch and Flemish furniture was founded on connoisseurship and their story is one of passion, intellectual stimulation, and a love of beautiful objects. Works from the collection will be offered in the April 7th as well as the April and May sales of European Furniture.

Clifford Ambrose Truesdell III devoted his career to the advancement of rational mechanics, and his professional experience spanned from MIT and the Naval Research Laboratory to Indiana University and Johns Hopkins University.

Together with his wife, the Truesdells were a true “Renaissance couple” in every sense of the term. Their artistic interests ranged from Baroque music and fine silver to European paintings and Italian architecture, and these tastes shone through in the impressive works of art they lived with in their Palladian-style Baltimore home, Il Palazzetto.

The Truesdell English Furniture collection is comprised of 30 lots and is highlighted by a George II mahogany and silk damask four-poster bed, circa 1740 (estimate: $200,000-300,000).

This magnificent state bed was purchased by the Truesdells in the 1960s, shortly after it was removed from Brympton D’Evercy, the beautiful manor house in Somerset, England where the bed had been since the 18th century.

With its damask-covered cornice emblazed with the Fane family crest, the bed is a rare survivor from the early George II period and has been attributed to Giles Grendey, the celebrated London furniture maker.

Other English furniture highlights from the Truesdell collection include a George II giltwood mirror, circa 1735 (estimate: $50,000-80,000); two pairs of George III giltwood open armchairs attributed to John Linnell, circa 1765 (each estimate:

$150,000-250,000); a pair of George II gilt-gesso two-light girandole mirrors, circa 1725 (estimate: $120,000-180,000); and a pair of George II giltwood console tables, circa 1740 (estimate: $100,000-150,000).

Property from the Estate of Mr. & Mrs. Gordon T. Southam, Vancouver, Canada

The marriage of Jean MacMillan to Gordon Southam in 1941 united two of Canada’s top-tier families as well as the forestry and newspaper industries. The Southams enjoyed a life-long romance and an enduring partnership in which they traveled regularly to London and New York on collecting trips.

The Southam Collection is comprised of over 80 works and highlights include a Queen Anne walnut oval stool with floral needlework, whose pair is illustrated in Masterpieces of English Furniture and Clocks, (estimate: $30,000-50,000); a Queen Anne walnut settee, circa 1710 (estimate: $70,000-100,000); and a George I walnut chest-of-drawers, circa 1730 (estimate: $70,000-100,000).

Property of a Private Canadian Collector

A private collection from a Toronto country home consists of 60 works of furniture and paintings, with estimates ranging from $800 to $30,000, and several works offered for no reserve.

Top lots include a George IV mahogany secretaire breakfront bookcase, circa 1825 (estimate: $20,000-30,000), and a pair of George III satinwood, rosewood and marquetry commodes (estimate: $80,000-120,000).

Examples of various owner highlights in the April 7th sale are a George III giltwood side table with scagliola top, attributed to Thomas Chippendale, circa 1770 (estimate: $100,000-150,000), and a George III ormolu-mounted Wedgwood, Derby biscuit porcelain and white marble mantel clock by Vulliamy, the royal clockmaker (estimate: $40,000-60,000), and a George III ormolumounted mahogany commode attributed to Wright and Elwick, circa 1765, supplied to one of Britain’s great country houses, Wentworth Woodhouse (estimate: $30,000-50,000).

European Furniture, Works of Art, Sculpture and Tapestries – April 16

The European Furniture, Works of Art, Sculpture and Tapestries sale on April 16th will feature over 40 works from the Truesdell collection. A leading highlight is a Dutch eglomisé collector’s cabinet on stand (estimate: $40,000-60,000).

The eglomisé panels depict scenes from Roman myths and would open to reveal items of curiosity or objects of vertú. Surprises continue to unfold behind the two central doors which open to display the technical virtuosity of the cabinet-maker.

Its use of mirrors create the illusion of two complete houses whose inlaid facades slide to reveal further secret drawers for the rarest, or most secret of treasures.

Among the other highlights in the European Furniture offered in the Truesdell collection is an Italian silvered wood console, Rome, late 17th/ early 18th century. It appears to grow almost organically from a lushly carved foliate spray and is an early precursor to the natural forms that inspired the Rococo (estimate: $30,000-50,000).

A pair of North Italian giltwood torcheres, circa 1750 (estimate: $20,000-40,000), with their bold scrolling forms illustrate the asymmetry emblematic of this style.

In addition to the Truesdell collection, The European Furniture, Works of Art, Sculpture and Tapestries sale on April 16th offers unique objects such as collector’s cabinets, vivid tapestries, extravagant giltwood from the 18th century, as well as 19th and 20th century examples inspired by many stylistic eras. This diverse array assures there is something for every taste and budget.

The sale features a dozen tapestries, dating from the mid 16th century to the 18th century, which encompass many genres — armorial, mille fleurs, historical and mythological.

A Franco-Flemish millefleurs tapestry (estimate: $40,000-60,000) whose stylized, large scale flowers would be equally at home in both traditional and modern homes while a Flemish mythological game park tapestry, late 16th/ early 17th century, sold to benefit the acquisition funds of Carnegie Museum of Art in Pittsburgh, depicts the god of Music, Orpheus sleeping amongst vividly woven exotic animals (estimate: $30,000-50,000).

Works by the famed French design atelier Jansen and other furniture commissioned by interior decorators are also included in the auction. Among the group is an elegant pair of French ormolu-mounted black lacquer two-tier etageres by Jansen (estimate: $6,000-9,000).

An impressive pair of marble-veneered and ebonized wood bookcases designed by Renzo Mongiardino, circa 1987, were part of the spectacular custom furnishings made for the library in the Park Avenue apartment of the New York financier and philanthropist Peter Jay Sharp (estimate: $25,000-40,000). They are certain to make an equally strong impact with collectors of this highly sought after, legendary designer.

19th Century Furniture, Sculpture, Works of Art and Ceramics – April 21

The 19th Century Furniture, Sculpture, Works of Art and Ceramics sale on April 21st opens with a choice selection of European ceramics and glass, highlighted by a unique pair of Mintons pâte-sur-pâte vases by the master craftsman Louis Solon.

The pair titled 'The Key to Hearts' depicts maidens toying with putti enclosed within heart-shaped cages, (estimate: $150,000-200,000) and relates directly to a similar pair which achieved over $200,000 on the 21st of October 2008.

The Continental porcelain selection features a number of massive vases in both the Sevres and Vienna styles. A monumental Sevres style ivory-ground centerbowl stands over 137.8 cm. high (estimate $100,000 - 150,000); and three pairs of Vienna style vases in the $20,000-50,000 range feature finely painted classical and mythological vignettes.

This group is rounded out by 24 Vienna style sumptuous portrait plates depicting King Ludwig's gallery of Bavarian beauties from the Twinight Collection (estimate: $30,000-50,000).

Two charming studies of hounds on Berlin (K.P.M.) porcelain, dated 1888, immortalize the Prince and Princess of Battenberg’s favorite dogs named Wat and Basco (estimate: $5,000-7,000).

The Princess was Queen Victoria’s beloved youngest daughter Beatrice and by tradition, these plaques were passed by descent to the present owner from a member of the family in service at Windsor Castle.

Other unusual works in the majolica and palissy ware section include: a Mintons fish-form teapot and cover (estimate: $8,000-12,000) and a George Jones cobalt-blue ground garden seat (estimate: $6,000-8,000).

Recently deaccessioned from the Fine Arts Museums of San Francisco and sold to benefit the Acquisition Fund, a magnificent ormolu-mounted black and gilt-lacquered commode (estimate: $70,000-100,000) and its companion sécretaire (estimate: $50,000-70,000) are among the highlights of the afternoon session of Furniture, Sculpture and Works of Art.

These faithful reproductions are after the models by J.H. Riesener commissioned in 1783 by Marie Antoinette for her cabinet intérieur at Saint-Cloud. The originals, now at the Metropolitan Museum of Art, are considered to be the jewel in the crown of Riesener’s oeuvre.

Although the maker of these excellent copies remains a mystery, the quality of craftsmanship, while undoubtedly 19th century, is an homage to Riesener's mastery in the 18th century.

A group of European carved ivory works of art from the estate of J. Irwin and Xenia S. Miller, are led by two grand scale German carved ivory tankards ornately carved with mythological figures (estimate: $30,000-50,000 each).

Three dozen lots from a Mid-Atlantic private collection are offered at no reserve, and include a rare group of four Continental ‘jewelled’ ivory figures, each with a mechanical accoutrement, that exhibit exceptional ingenuity in their decoration and craftsmanship (estimate: $6,000-8,000 each).

Taken From ArtDaily.org

Saturday, January 31, 2009

The Bayeux Tapestry

The Bayeux Tapestry

Because of William I of England's victory in the 1066 Battle of Hastings, he was known as William the Conqueror. His previous moniker was William the Bastard because he was an illegitimate child of Robert I, the Duke of Normandy.

He had two other brothers to his mother, Herleva, both of which from other fathers. He succeeded his father in 1035 at a young age of eight. King Henry I of France knighted William, who was then only 15-years-old.

From then, he became a formidable leader and a strong warrior. When he was 19-years-old, he had already successfully defended Normandy from invasion and rebellion. Even Henry I himself felt envious of William's power and tried to invade Normandy, but the attempts failed.

When England's Edward the Confessor died, William felt he was the rightful successor to his throne. For one, it was said the Edward had promised him the throne when he visited London in 1052.

Also, Harold was said to have pledged alliance to William when he came to Normandy in 1064, two years before the Battle of Hastings. Harold was knighted by William after they successfully defeated Brittany's Conan II. Feeling betrayed by the late Edward and the newly-crowned Harold, William, with a fleet of ships and a formidable armada, went to England to fight.

This account is clearly illustrated in the Bayeux Tapestry. In the last panels of the Bayeux Tapestry, it was shown that the Normans had the upper hand of the battle. The Normans, as illustrated in the tapestry, killed Harold's brothers.

It also showed Bishop Odo, William's half-brother, fighting along side William's armada. In a panel, William fell from his horse but was very much alive and still able to fight. He then raised his helmet and encouraged his men to continue fighting, after which it was shown that Harold was defeated.

There were at least three figures in the tapestry that illustrated how Harold died, making the cause of his death vague when using the Bayeux Tapestry as basis. On one scene, Harold had an arrow sticking out in his eye, while another figure ha Harold speared with a spear.

There was another figure with legs hacked off which was presumed to be Harold. Although it is not clear, how Harold died (either he died of any of these causes, or he experienced all three fates), what was clear was that William and the Normans had won.

While the last section of the Bayeux Tapestry was said to be lost, it is assumed that this missing section deals with the coronation of William after he made the English magnates submit to him.

The Bayeux Tapestry is a work-of-art and tells a historic event in 77 panels. These panels are woven into wall hangings for individual hanging in the home or schools, to educate the children. The original Bayeux tapestry is 230' long and 20" high.

Alex Hanson writes articles to help the artists and their crafts from around the world survive just a little bit better and is supportive of high quality decor for the home that might push some power to skilled workers offering artistic works-of-art.

Decor4u.com offers European Tapestries and other wall art such as The Bayeux Tapestry.

Saturday, November 8, 2008

Making an Impact With Tapestry Art

Making an Impact With Tapestry Art

Warmth and comfort as well as a dramatic art statement can be added to a modern home with the clever use of tapestry. Textile art has been popular in American homes for centuries and is enjoying an increased popularity with the various styles and designs available.

During the 17th and late 19th century tapestries were the height of fashion in American homes as the new wealthy sought to emulate the aspirations of the Mother country. British fashions were imported as inspiration was transported across the seas to America and fashionable homes.

Splendid tapestries imported from Europe adorned many American homes in the 17th and 19th century. Elaborate designs were more often than not found in a parlour than in the bedroom and were very much on display.

Often a European made tapestry was among the most valued items listed in a householder's possession. America's industrial revolution and urbanisation of the cities gave rise to unprecedented wealth among the elite. These included the Vanderbilts and Astors. European style homes were inspired by and modelled on palaces in the Mother country.

The new American "Royalty" liked nothing more than to display their newly acquired wealth which included the resurrection of centuries old interior fashion design. George Washington Vanderbilt's Biltmore was such a house, having two magnificent eighteenth tapestries of Vulcan and Venus as a focal feature.

At Vanderbilt Mansion the bedroom of Frederick Vanderbilt was panelled with Circassian walnut and decorated with 17th century Flemish tapestry in an echo of European aristocratic fashion.

The work of William Morris, though short lived, proved very popular as the designs of the Arts and Crafts Movement swept across both sides of the Atlantic. These very distinctive patterns and designs furnished many homes and inspired new interest in tapestry art, although this turned out to be a short lived fashion with very little alternative innovative designs appearing for several decades.

The prospect of large and unbroken walls in homes with the development of rather austere furniture saw resurgence in popularity for tapestry art in the mid 20th century. The flexible charm of tapestry art was seen as a real alternative too a framed painting, particularly where people were more mobile than before. A well selected tapestry could furnish and add warmth to a home, yet was flexible enough to be rolled up and moved where necessary.

Today many people in search of inspiration and something different for their interior design choose a tapestry as a wall hanging. The quality and detail offer a unique feature to complement any wall and the texture brings a fresh perspective to many well known artistic forms such as the medieval tapestry range.

Tapestry may not have grown in a design context in America but the availability of different styles and designs means that a prospective buyer looking to add a special feature to the home has never had more choice. It is now very easy to be creative and style a room using exquisite pieces of wall art.

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Angela Dawson-Field writes extensively on home decor and tapestry & textile art. She divides her time between family and The Tapestry House

Friday, October 10, 2008

Superb And Glorious Set Of Bayeux Tapestries

Superb And Glorious Set Of Bayeux Tapestries

Tapestries, attractive wall hangings, tapestry cushions, tapestry pillows and other types of decorative material, which is used for decorating houses, offices, gardens and other places, are very much in demand today. People buy them to gift them to their loved ones. Tapestries and wall hangings change the entire look of the room.

The first choice of interior designers for decorating the house is tapestries and wall hangings. But interior designer should make a conscious decision of buying those tapestries which suits the color and entire theme of the room. Superb and glorious set of tapestries are available, having different designs, patterns, sizes and colors.

There are different types of tapestries like Bayeux tapestry, Flanders tapestry, unicorn tapestry, oriental tapestry, landscape tapestry and others miscellaneous tapestries. They all are famous for their own unique and special features.

Bayeux TAPESTRY

Bayeux tapestry is 50 cm by 70 cm long embroidered cloth which shows the images and patterns leading up to the 1066 Norman invasion of England. Bayeux tapestry is one of the different forms of tapestries and has its own unique features. Bayeux tapestry is embroidery it is not like a tapestry.

It was constructed from eight pieces of linen which were joined together to make up its length. Bayeux tapestries are available in many designs and colors and are famous for its patterns which are historical. Bayeux tapestry is one of the best tapestries and is very much in demand.

FEATURES OF TAPESTRIES

Tapestries are made up of cotton, jute, coir, silk and other fibers and very attractive appliqué work, thread work, embroidery, patch work and others are done on them which make them look more beautiful.

As we all know in today's world interior decoration matters a lot. Interior decoration, not only in houses but in offices and other working places has become very important. Tapestries are used for decoration of home, garden, office and other places.

Tapestries wall hangings are available in all sizes and a person should select the tapestry for a particular room, keeping in mind, the color, theme and size of the room.

Our company http://www.tapestries-tapestry.com offers a wide range of attractive wall hangings, tapestries and other decorative material at very reasonable prices and special discount offers and exchange offers attached to them. You can buy them online also.

Customer satisfaction is the main aim of our company that is why we deal with only quality products. For more information please log on to http://www.tapestries-tapestry.com

Jude is a well known writer who has been writing on topics like tapestries and Belgian tapestries etc for the website http://www.tapestries-tapestry.com for a long time.

Monday, September 29, 2008

European Tapestries - Bayeux Tapestry

European Tapestries - Bayeux Tapestry

France's Bayeux Tapestry is part of the Memory of the World Register of UNESCO, a collective that encourages the preservation of historical archives and documents in the world. Among the four other French documents and archives that are part of the Memory of the World Register, it is perhaps the most elaborate in terms of form, content, and artistry.

The Bayeux Tapestry is unparalleled for its depiction and documentation of an important historical event. There are other tapestry pieces that depict real events. The Valois Tapestry, for one, illustrates the various festivities done during the time of Catherine de' Medici in France.

Others, like the New World Tapestry (which illustrates the English's attempt to colonize Newfoundland, America) rivals the Bayeux Tapestry in extravagance (the New World Tapestry is even bigger than the Bayeux Tapestry), but is not included in the UNESCO list (only the Bayeux Tapestry is the tapestry piece included on the Memory of the World Register list).

The Bayeux Tapestry narrates how the conflict Harold II (or Harold Godwinson) and William I (or William the Conqueror) began, which later lead to the Battle of Hastings in 1066. The panels are detailed on narrating this event through the embroidered figures in the tapestry (although called a tapestry, the Bayeux Tapestry is actually embroidery).

The tapestry began when King Edward the Confessor sent Harold to Normandy. The tapestry did not specify why he sent him to Normandy. When he arrived, Harold was captured by the Count of Pontheiu, Guy, although was immediately released as per order of William, then a powerful duke.

After Harold saved two Norman soldiers from being trapped in quicksand and after William and Harold made Conan II, the Duke of Brittany, surrender, William knighted Harold. The meaning of the supposed knighting is not clear, although William could have seen this as a sign that Harold will support his campaign to get the English throne.

This, however, is not clear, as the tapestry did not have any evidence of this. When Harold returned to King Edward, the king was already sick. Edward died and Harold became his successor. After the coronation, a comet appeared (the comet is believed to be the Halley's Comet).

During the Middle Ages, comets are signs of impending doom. When the news regarding the coronation of Harold reached William, he went to Normandy, hence starting the 1066 Battle of Hastings.

Through the tapestry, the characters -- especially during the panels concerning the conflict -- can be differentiated using certain characteristic of the figures; the Normans had shaved the back part of their heads, and Harold's side had mustache. This was said to be the norm during those times.

Besides this, The Bayeux Tapestry is successful in documenting other aspects of life during the Middle Ages-the premonitions, the clothing, the appearance of the people, the society's norm. European Tapestries are incredible works-of-art.

Wednesday, August 6, 2008

Bayeux Tapestries: Stylished And Modern For Interior Decoration

Decorate your home and walls with Bayeux tapestries, which is considered the most unique of wall hangings, and enhance the beauty of your home. With home décor like wall hangings tapestry, the house becomes modern and graceful and gives the home a feeling of warmth. Tapestry wall hangings are treated as precious interior decoration pieces and appreciated throughout the world due to its exceptionally dazzling artwork.

All the tapestries like tapestries UK, medieval tapestries, Flanders tapestries, religious tapestries, Belgium tapestries and European tapestries are known for its distinctively gorgeous design. Each and every tapestry possesses an innovative aspect.

Some tapestry reflects religious artwork which signifies the artistic and determined significance and can also be considered as the emblem of extravagance and esteem. The Bayeux tapestry is considered as the one of the most unique wall hanging for interior decoration.

Tapestrycatalogue.com provides a widespread assortment of Bayeux tapestries and medieval tapestries which are very chic for interior home decoration. These tapestries are produced in Europe on Jacquard loom and ultimately given the finishing touches by hand.

The themes of medieval tapestries which are obtained in the present market include 11th century historical masterpieces of Mathilde, Battle of Hastings, William the conqueror and Duke of Normandy and much more. The length of the Bayeux tapestry embroidery is approximately 20”tall and 230ft long.

The Bayeux tapestry through its images reveals the story of the events leading unto and including the battle of Hastings that took place on October 14th 1066.

The Bayeux Tapestries also preserved the fame of the Norman downfall of England and the stage show of Harold of Wessex and Duke William of Normandy for more than 900 years. Generally, the Bayeux Tapestry is attributed to William the conqueror’s wife Matilda and commissioned by William's half-brother, Bishop Odo of Bayeux for display in the Bayeux Cathedral. According to some intellectuals, the Englishmen from Canterbury stitched the Bayeux Tapestry in the real sense.

The price of these Bayeux Tapestries is quite economical and now people can place their order online from Tapestrycatalogue.com. The company offers a unique collection of Bayeux tapestry wall hangings to decorate the house.

The customer service they provide is second to none, and this makes the customers to come back time and again. Log on to www.tapestrycatalogue.com and place your order now.

Jude is a well known writer who has been writing on Tapestry, Bayeux Tapestries and Home Decor etc. for the site www.tapestrycatalogue.com.

by Jude Charlotte

Sunday, July 13, 2008

The Norman Fleet Event From the Bayeux Tapestry and More

The Norman Fleet Event From the Bayeux Tapestry and More

The Bayeux Tapestry was successful in providing a document that illustrates the events that transpired before and during the 1066 Battle of Hastings. As with many tapestries depicting an important event, there are several questions pertaining to its content.

For example, during the part where Harold Godwinson talked to William the Conqueror, there is a panel on the right side of the tapestry historians claimed pertains to a sexual scandal during that day. That scandal, up until now, is still unknown, and historians said it could probably be a scandal that the weavers thought needed no explanations.

It couldn't have been insignificant since it was included in the Bayeux Tapestry, it was probably a well-known scandal during the time. Parts of that panel were already altered in present day replicas, specifically the part that features two naked men with their genitalia exposed. Personal emphasis, critics said, could have also distorted the work's accuracy.

However, while its accuracy is disputed and the many mysteries surrounding it is still being debated, nothing ever like it has documented the event so accurately.

The part where William had initiated the war is the most elaborate in the Bayeux Tapestry. It did, after all, involved several figures and details. When William learned that Harold was crowned as king, he felt as if he deserved the throne. William had knighted Harold previously, before they defeated Brittany's Conan II and Harold returned from Normandy.

Since William thought Harold is a traitor and a usurper, he organized a fleet of ships to be used for his conquest. The tapestry illustrated the Norman's preparation; woodmen shaped trees into planks while men used the planks to build a number of boats. Weapons and food were then taken to the boats.

The panel after that showed William and his fleet of ships crowding the sea. Aboard Mora, the ship his wife Queen Matilda (the one who supposedly commissioned the creation of the Bayeux Tapestry, although documents later dispelled that rumor) bought for him, William lead his armada. The Norman reached England in September 28th. From Pevensey, they rode towards Hastings, where the battle took place.

From that point, the tapestry illustrated the Battle of Hastings, showing each side preparations. The tapestries illustration of the Battle of Hasting is brutal, showing the violence in detail. Several dead bodies were splattered on the tapestries lower border. Several panels were devoted in illustrating the battle, including the death of Harold's two brothers and, ultimately, the death of Harold Godwinson.

The Bayeux Tapestry at this point shows the preparation of kingdoms when they embark to battles. This also shows that war started at the slightest provocation. When one judges the wall hanging, it is not clear how the war started, except that William may have seen Harold's coronation as an attempt to usurp him. With the Bayeux Tapestry, the littlest details in the lives and culture of the Europeans during the Middle Ages are known to people who lived later.

Alex Hanson writes about how The Bayeux Tapestry is undeniably the most well-known and elaborate work of art in tapestries known in existence. Bayeux Tapestries woven from The Battle of Hastings in 1066 is what The Bayeux Tapestry is all about, shown in detail from the original which is 230 feet long and 20 inches high, which includes 77 events. It's a remarkable and beautiful work of art.

by Alex Hanson