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Showing posts with label tapestry. Show all posts
Showing posts with label tapestry. Show all posts

Monday, September 28, 2009

Current Tapestry Trends

Current Tapestry Trends

Tapestries are a wonderful creative expression, an art form, which has survived generations. Since about seven hundred years, tapestries have combined art with the practical necessity of home decoration. The year 2009 has seen the return of tapestries in all their glory as fabulous, fashionable pieces of home decor.

Although tapestries have proven to be the best and most economical way to give your house a makeover, taking the plunge may seem like a daunting decision. Questions arise: Are tapestries suitable for my home? Would they look gorgeous or gaudy? How do I select the right piece of tapestry for a particular room?

Expert interior decorators are of the opinion that when carefully chosen, tapestries are an attractive eye-catcher in almost every home setting. Besides, both decorators and most tapestry vendors provide expert advice on tasteful interior decoration using tapestries.

The current interior decor trend lays emphasis on "casual elegance" - a blend of class, comfort and functionality. Living and dining rooms, along with bedrooms, are living spaces where tapestries play a pivotal role.

Undoubtedly, tapestries are most commonly used as upholstery material - decorative covers for cushions and furniture. The range and creativity of designs are breathtaking - floral, stripes, geometric patterns, contrast colors, tribal prints, abstract art... the list goes on.

Current trends favor mixing and matching two or more categories of design to create a unique, customized one to reflect the personality of the residents of the house. Another trend that is regaining momentum is that of floral tapestries. Now-a-days interior designers are using floral themes, which gives the house a refreshing and natural look.

Tapestries have adorned the walls of churches, palaces as well as humbler dwellings for centuries. Traditionally, they were used to trap heat or to narrate religious events or historic battles pictorially. Even though their functional role has evolved to aesthetics and noise reduction, wall tapestries maintain their popularity.

Skilled weavers and modern machines offer an opportunity to transform personal photographs into wall hangings tapestries. Photographs are essentially a repository of pleasant memories, and those of famous personalities, family members, best friends or a collage of multiple favorites woven into a tapestry can acquire heirloom status over time.

Increasingly seen on fashion ramps across the world are tapestry handbags, an interesting combination of stylish and sophisticated accessories. Tapestry pieces sewn onto these bags portray reproductions of classic art, tribal motifs and native designs of various countries.

Modern-day tapestries are an effective synthesis of timeless art and innovative technology that helps enhance the appearance and durability of the art.

With an exciting range of vibrant colors and pastel hues, cotton and woolen fiber and designs by the best in the industry, the customer is certainly spoilt for choice. Displaying an exquisite piece of tapestry is the most fashionable way of enhancing your interior decor and feeling house-proud!

Heirloom European Tapestries is one of the leading providers of tapestries and fine hand woven wall hangings tapestries in USA. We offer tapestries of all kinds, right from floral tapestries to French tapestries.

Tuesday, September 22, 2009

Top Tips For Selecting a Tapestry For Your Home

Top Tips For Selecting a Tapestry For Your Home

If you're wanting to select a tapestry for your home, then here are the top 7 tips that will help you out. Decorating your home is a personal decision, and if you have a partner or others living in your home, then remember to get their opinion as well. Here's how to ensure that your choice is a superb one:

1. Consider the theme of your home decor

If your home has a certain feel and look to it, then you may want to stick with this theme. For example if you have a French styled home, a cottage home or a modern home, then select a work of art that will complement and go well with this style. With modern homes, the style can be quite varied and still fit in.

2. Consider the size of the wall

If you have a large wall, then a large work can make a more profound impact than a small wall hanging. In fact, a large tapestry can create a backdrop impression to a room or hallway to give the illusion that you've just walked into another place and time. Quite impressive.

3. Consider the colors surrounding

If you have a light colored wall, then most works can suit this space. But if your wall is strongly colored, then just ensure that the work will go well with that color. Most tapestries are forgiving this way as even a contrast in color can be very striking and even enhance the effect of the art piece.

4. Choose a tapestry that you like

Above all, despite the above considerations, you should choose a scene of design that you like. Some people prefer romantic scenes of Francois Boucher, while others prefer a verdure where foliage and nature abounds. Some prefer impressionistic art. Whichever way, select from a good range and find something that you like.

5. Consider a work that has a specific impact

What this means is that the tapestry can have a specific impact depending on the scene that it's portraying. For example, you can create an illusion of an enlarged living space by selecting a scene of the outdoors.

You can add romance with a work depicting floral illustrations or a pastoral scene by Boucher. You can also create serenity with a scene of gondolas in Venetian canals.

6. Choose a tapestry that is backed with a tunnel

Most tapestries nowadays have a tunnel at the back. This is so that you can hang the tapestry easily by inserting a tapestry rod and using mounts on the wall. This makes the hanging of tapestries so much more convenient. Not many pieces come without a tunnel, but check anyway to make sure.

7. Frame the tapestry with a tapestry rod

Choosing a beautiful tapestry rod that features a scroll finial, Fleur de Lis finial or other elegant design can really finish a tapestry off very nicely. Consider the choice of rod whether it's finished in black, rustic gold or other color with the colors and theme of the work itself.

So as you can see, you can use these above tips to help you select a wall tapestry art that will suit your room or home. It's a personal process and one that will reap many rewards over the years as yo enjoy the space that you live in with this beautiful form of art.

Looking for wall tapestries? Tom Matherson is a writer for Worldwide Tapestries which offers a range of European wall tapestries and wall decor to transform any home. See this site for the finest and most romantic designs in tapestry wall art that you can use to enhance any room setting or home.

How to Create Romance in Your Home Decor

How to Create Romance in Your Home Decor

Ever wanted to create that extra sense of romance and luxury in your home? Then take a few tips from here and easily create that special feeling that only a well loved and well thought about home can give.

Whether you want a lovely sanctuary to live in or a place where your guests and friends can feel at home and serene and much appreciated, these tips will help you achieve that. So where to start? These 5 tips will get you started.

1. Have a piece of art on your wall

There is nothing as alluring to the imagination as well as the emotions as a piece of art on your wall. Whether it be a painting, wall hanging or other piece of art, a piece of beauty here will set the entire tone and mood of the room.

When you enter any room in your home, you are influenced subconsciously, whether you know it or not, by the clarity and beauty of that room. When you have a beautiful piece on your wall, your mind and emotions relax and go to another place and time. A gorgeous work here will transport you, transform your experience, and set a backdrop to the entire scene.

2. Have a piece with color to enliven the room

Whether this is from an art work on the wall, a throw or a piece of art you place on a table, a piece in crimson or pink will add romance. A crimson throw or cushions will add not only color, but mood to light up the day or night.

Colors in this range adds fire to sensuality and improves appetite, and encourages thoughts and feelings of romance. Flowers such as tulips, gerberas or peonies also add to the romantic fire in a home.

3. Add a photograph of picture depicting romance

You can choose a picture of yourself with a partner or a picture of a couple or any scene which means romance to you. When it is in the room, again, your mind subconsciously picks up on the theme of romantic love.

Even a small picture placed in an appropriate position will do. If you subscribe to Feng Shui you will know to put this image in the South West direction of your room or bedroom for added effect. Either way, select a picture you like and place it where you can see it!

4. Add flowers

Yes, flowers will add a feeling of warmth to any room or home. It doesn't have to be any particular type, but anything that you like such as tulips, roses, and even potted herbs such as lavender, rosemary and fragrant species such as jasmine will enliven the room and add a sense of serenity, relaxation which can help romance and love. If you don't have the real thing, a picture or wall hanging can have the same effect.

5. Have a place for 2 people to sit in comfort

This is such an obvious point but so many people miss out on this. If it's your sofa, then ensure that it's neat and clean and is ready for guests to sit on. On the coffee table, clear away clutter and have a clean empty space.

Make sure that he space is easy to get to and nothing is in the way. Look and feel your home as if you're a visitor with new eyes, and see where you need to declutter or need to add an element of beauty.

So as you can see, these 5 tips can help you achieve a sense of romantic mood in any room or home. By doing one or two you will get there, and if you follow all 5, then you're sure to be on a winner when it comes to transforming your home into something truly special and romantic.

Want to add romance to your home? Then see this collection of romantic French tapestries that will suit any home. Tom Matherson writes for Worldwide Tapestries where you will find a variety of large wall hangings and European wall tapestries from France, Belgium and Italy to suit any home decor.

Friday, September 4, 2009

The Quaker Tapestries - An Inspired Creation

The Quaker Tapestries - An Inspired Creation

For centuries faith and spirituality has inspired art and the development of tapestry. The Quaker tapestry is a twentieth century creation, and originally an idea by Anne Wynne-Wilson after studying the magnificence of the Bayeux Tapestry.

She became enthralled at the concept of telling stories through tapestry and aimed to create a project that told the story of the development of the Quaker religion worldwide. As the masterpiece grew the very essence of spirituality became woven into the work.

The Bayeux Connection

Anne Wynne-Wilson proposed a crewel based tapestry consisting of separate panels which could then be sent to different Friends in the Quaker faith to complete, and at the same time enable people to learn about the story of the Quaker religion.

Like the Bayeux Tapestry the technique saw three separate panels, each with a restricted colour scheme on hand woven wool with the material designed to stand the test of time. The tapestry contained four ancient stitches - Stem, Knot, Split and Chain with the thread laying method of Bayeux Point, and natural dyes.

The original intention had been to create a tapestry to tell the story of the development of the Quaker faith globally, however the faith of the stitchers became embedded in the work and in doing so captured the very essence of the elements that motivate Quaker faith.

The Children of Light

Light has always been significant in the teaching of Quakerism, particularly the concept of Inner Light. This is portrayed via the first tapestry inspiring Quakers to use themselves to reflect their inner light on others. A simple prism glowing colour and direction strengthens the belief that early Quakers called themselves "The Children of Light."

George Fox founded the Quaker movement in 1652 and his life and teaching is beautifully recorded throughout the panels. Accompanying pictures of events in his life are texts with simple Quaker teachings and beliefs.

Light weaves its way through the tapestry and acts as a simple thread which joins the thoughts, work and culture of Quakerism. Panels bearing simple teaching and thought accompany designs of key Quakers such as Fox, and tell their story through tapestry.

Through the panels the feeling of quiet contemplation and simplicity emerges when viewing the designs of Quaker Merchants or John Woolman in prayer. Others reflect a more turbulent time and portray anger, persecution and a questioning of belief during the history of the religion.

The panel depicting the persecutions of Oxford in 1654 have been designed to impart fear and the real horror of the event when two Quaker missionaries attempted to talk to the people. The detailed facial expressions ensure the dark days of Quaker history are told to the observer and not forgotten. Art has always enabled stories to be told through expression and simplicity and this dramatic and reflective work stands as a testimony to the Quaker faith.

Simple Values of a Global Religion

As light shines through the panels the true Quaker values of healing, compassion and reform emerge. Elizabeth Fry and her work in transforming prison services, known Quaker doctors who pioneered new ways of healing, and those who reached out to help displaced people are represented in the stitching and tell the story in simple words and pictures of their life's contribution. Healing through plants and the relief of suffering weave their way through the tapestry with the placing of delicate botanical pictures adding colour and light.

The adventurous and enterprising nature of Quakers is portrayed both with the designs of William Penn discovering Pennsylvania and in those showing engineering inventions and the whole tapestry manages to tell many different stories within one bigger tale.

Each small picture carries a message and new learning within the designs and colour schemes. Simple Quaker texts combined with pictures and expressions impart the thoughts and beliefs of their designers in a creative tableau.

The unique concept behind the Quaker Tapestry has ensured a global belief has been captured by sending sections overseas to be completed, each adding a new story and a cultural flavour, whilst enabling the light of the Quaker faith to be reflected in the exquisite design.

An Inspirational Legacy

When the Bayeux Tapestry was designed and put on display it laid the foundation for a concept in storytelling that spanned the ages and enabled a tale to be portrayed in a unique media. In future years the Bayeux and Quaker Tapestries may inspire more creative ideas in art and design to tell a tale of momentous and transformational events in history and everyday life.

Angela Dawson-Field writes extensively on home decor and tapestry & textile art. She divides her time between family and The Tapestry House

Wednesday, July 1, 2009

Live review: Amity Dry in Tapestry – A Carole King Tribute Show

Live review: Amity Dry in Tapestry – A Carole King Tribute Show

Amity Dry clearly has a loyal following in Adelaide if the audience at her final performance of Tapestry at the Promethean is anything to go by. There was a real warmth in the applause of this largely older crowd, who hummed along to many of the great songs from the ’60s to the ’80s.

Dry is an understated and unpretentious performer. She just gets up and sings, along with her three-piece band and back-up vocalist Charmaine Jones. The show opens with a somewhat underpowered rendition of “I Feel The Earth Move” and doesn’t really pick up pace until mid-way through with a powerful interpretation of “So Far Away”.

Other highlights included “Smackwater Jack” and the James Taylor classic “You’ve Got a Friend”. Unfortunately, a number of the songs were undermined by a harsh mix and various microphone problems.

There are no accoutrements of cabaret here – no slinky evening frocks for the girls, no sharp black suits for the boys.; this is more “come as you are” cabaret.

Read complete article in IndependentWeekly.com

Tapestry-Tastic Exhibition at An Lanntair

Tapestry-Tastic Exhibition at An Lanntair

TAPESTRY has never gone away, but the new An Lanntair exhibition – Suas leis an Oir-Ghreus! (Long Live Tapestry!) – is still pitched as something of a revival.
And Suas leis an Oir-Ghreus was in fact first shown as 'Vive le Tapisserie!' at the French Institute in Edinburgh last year – proving in its own way that tapestry is something of an international language.

The exhibition comprises of four miniatures, each created by 17 of Scotland's leading tapestry artists.

Archie Brenna, Sara Brennan, Amanda Gizzi, Linda Green, Alice Hannigan, Maureen Hodge, Stephen Hunter, Fiona Hutchison, William Jefferies, Ellen Lenvik, Brigitta MacDonald, Jo McDonald, Susan Mowatt, Colin Parker, Paul R Penrice, Anna Ray and Joanne Soroka are all members of the newly formed group STAR (Scottish Tapestry Artists Re-Grouped); and graduates of the tapestry department of Edinburgh College of Art.

Read complete article in StornowayGazette.co.uk

Tuesday, June 9, 2009

The Wish Maker Unfolds A Cultural Tapestry Of Contemporary Pakistan

The Wish Maker Unfolds A Cultural Tapestry Of Contemporary Pakistan

About a month ago on "The Daily Show," Jon Stewart began a segment about Pakistan by describing it as a “distant and mysterious land of spice and anger.” After momentarily feigning interest in the country's history and culture, he admitted, “Actually, we really just care about the nuclear arsenal.”

That wry jab at single-minded reporters might amuse Ali Sethi, who's written an earnest and deeply considered debut novel about Pakistan without pandering to the interests and clichés that dominate our nightly news. The Wish Maker is a family saga that gracefully unfolds a cultural tapestry of contemporary Pakistan.

Zaki Shirazi is the intelligent, observant son of two affluent matriarchs, his grandmother Daadi and his mother Zakia. His father died while flying a military plane when Zaki was “minus two months old.”

The Wish Maker
begins with Zaki returning from an Ivy League education in the States to find his home, Lahore, Pakistan, changed. “There was an added estrangement from the known,” Zaki notes.

“The drive home was too short, the bridge too small, the trees not high enough on the canal ... the bed in my room was just a bed.” Sethi's clearly writing from recent experience — he, too, is an affluent Ivy League-educated 24-year-old of Lahore, Pakistan. Sethi's prose, however, is written with the disciplined distance and evenhanded delivery expected from someone twice his age.

Read complete article in CreativeLoafing.com

The Rich Tapestry Of Contemporary American Extremism

The Rich Tapestry Of Contemporary American Extremism

For many years he was the “monetary architect” of the “Liberty dollar,” much beloved by antigovernment “Patriots.” Nowadays, after running afoul of federal authorities over his alternative currency scheme, Bernard von NotHaus has embarked on a more ethereal venture: the Free Marijuana Church of Honolulu, where he is the “high priest.”

Church members step into the “High Room” for one toke of marijuana, then retire to a meditation room “in serene bliss,” according to a church press release.

Von NotHaus, 64, says he once was friends with psychedelic drug proponent Timothy Leary. But he’s best known on the radical right for creating “American Liberty currency” certificates in denominations of $1, $5 and $10, starting in 1998. The certificates were backed by stocks of silver and gold stored in Idaho, von NotHaus said.

The currency has been popular with extreme-right tax protesters and members of the radical “sovereign citizens” movement, who maintain that the federal government has no right to tax or otherwise regulate them, as well as those who believe that the Federal Reserve, America’s central bank, is run by a private body for personal profit.

In 2007, federal agents raided the company’s Evansville, Ind., headquarters, and seized two tons of copper coins featuring Republican presidential candidate Ron Paul and 500 pounds of silver from a Liberty Dollars warehouse. The raids followed the U.S. Mint’s issuance of a public warning to consumers and businesses that using Liberty Dollars in lieu of U.S. currency was a crime.

Read complete article in Wired.com

Tuesday, May 26, 2009

The Battle Of Fulford Tapestry

The Battle Of Fulford Tapestry

THE team creating a huge tapestry showcasing an ancient battle near York is looking for fellow embroiderers to join them in “sewing a piece of history”.

The creation of the 15-feet tapestry is well underway and the first three feet, depicting the arrival at Scarborough of Harald Hardrada, king of Norway, is now complete.

The project, which has been funded with part of a £24,000 lottery grant awarded to the Fulford Battlefield Society, began in 2005. After a slow start due to a lack of volunteers, it could now be finished by the end of the year.

One of the organisers, Mary Ann Dearlove, 63, said: “We are really motoring on with it now.

“I am on a bit of a recruitment drive at the moment because we need more people who can come down and work on it. The first three feet are done and we are working on the next section which depicts the arrival of both sides at Fulford. Once you start working on it, time absolutely flies – it’s so absorbing,” she added.

“It’s not complicated at all – it’s a laid stitch which is fairly basic.”

The embroiderers meet at Barley Hall in Coffee Yard, and will be there on Wednesday, from 10am to 2pm, if anyone is interested in adding to the piece.

Taken From ThePress.co.uk

Tuesday, April 28, 2009

Toyota Grants Will Pay For A TAPESTRY Of Research

Toyota Grants Will Pay For A TAPESTRY Of Research

TORRANCE, Calif. - Two Maui teachers each have been honored with a $10,000 grant for excellence and innovation in science education to be used for projects in their classrooms.

The Toyota TAPESTRY awards to Kathleen Ireland and Dan Kuhar are sponsored by Toyota Motor Sales USA Inc. and administered by the National Science Teachers Association.

Ireland, a biology teacher at Seabury Hall, will lead her students in a project to harvest and press oils from native Hawaiian plant seeds. The oil will then be tested for energy production and used to run a student-designed motor.

The Seabury Hall students also will work in conjunction with University of Hawaii at Manoa students to uncover the optimal growing environment for a new type of oil-producing plant.

Kuhar, a science and health teacher at the Kihei Charter Middle School, will use his grant money to create a program for students to study the statewide spread of invasive algae. Kuhar's class has partnered with the National Oceanic and Atmospheric Administration to determine which species of algae cause the most problems and which water conditions cause the biggest algae blooms.

Toyota TAPESTRY is the largest annual K-12 science teacher grant program in the country, according to the company's news release. Award-winning projects are selected from three critical areas for youth: environmental science, physical science and science applications that promote literacy.

Fifty grants of up to $10,000 are awarded each year, along with a minimum of 20 grants of as much as $2,500 each. More than $8.5 million has been awarded to 1,064 teams of teachers throughout the program's 19-year history.

Kuhar said he and others at Kihei Charter School are excited about embarking on the algae project.

"Students will be empowered to be stewards of their community, aina and kai," Kuhar wrote in an e-mail. "Students will also benefit from the positive and healthy impacts of spending time outdoors, observing the natural world, and cooperative learning," he added.

The Kihei Charter project will involve approximately 160 students in grades 6 to 8 working in partnership with community members, scientists and partners at NOAA. The program emphasizes community-based education and a classroom-without-walls concept of hands-on work that takes place in the field.

At Seabury Hall, Ireland will start the first segment of her project with approximately 70 freshmen. They will locate kukui nut trees, analyze the microenvironments of these trees and harvest the nuts. They will then work with student mentors in Seabury's engineering class to press oil from the collected nuts.

The project moves forward with sophomores adding findings; then seniors in an engineering class will use the oil to power their biofuel motor. They will record any observations they find in the use of the oil.

Ireland expects some 170 students will be involved in the project, and will present their findings to Seabury's entire student body.

"I am very interested in providing authentic learning experiences in my classrooms as well as stimulating interest in 'real life' science," Ireland said in an e-mail. "The take-home message from this project is that Seabury Hall students will be working in a large cohesive group to identify possible solutions to our dwindling fuel issues.

They will learn the importance of careful and clear data collection, as well as discovering the challenges of working on real world problems in a group setting.

"With any luck, Seabury Hall students will be able to produce a viable alternative fuel, complete with some efficiency testing!"

* Claudine San Nicolas can be reached at claudine@mauinews.com.

Taken From MauiNews.com

Saturday, April 4, 2009

Hand-Stitched Tapestry That Weaves Tales Of Medieval Life Goes On Display In New Ross

Hand-Stitched Tapestry That Weaves Tales Of Medieval Life Goes On Display In New Ross

THE STATE’s newest tourist attraction was unveiled yesterday when the Ross Tapestry went on public display in the Co Wexford port town of New Ross.

Organisers of the permanent exhibition predict that the series of elaborate, hand-stitched tapestries depicting scenes of Irish medieval life will attract 60,000 visitors in year one.

Work on Europe’s biggest embroidery project began in 1998. For the past decade, more than 100 volunteers, from Co Wexford and neighbouring counties, have created 15 large, 6ft by 4ft, needlework panels which record the Anglo-Norman invasion of Ireland and its aftermath.

The exquisitely coloured, intricate tapestries include Arrogant Trespass: The Normans Landing at Bannow – a reference to the nearby strand where the invasion by 30 knights and 360 soldiers in 1169 led to 800 years of British rule in Ireland.

The Ross Tapestry is based on original paintings by Countess Ann Griffin Bernstorff, the Limerick-born artist who married a Danish aristocrat and settled on a farm in Co Wexford.

Yesterday, she praised volunteers who had devoted “thousands of hours and millions of stitches” and said, “we turned on a switch in the community and they responded”.

She explained that the original idea for the project had come from a Church of Ireland rector, Paul Mooney, who has since moved to Malaysia.

Project chairman Seán Reidy hailed “a world-class work of art” created by “the best example of volunteerism that Ireland will ever see”.

He thanked patrons, who include financier Dermot Desmond, newspaper magnate Tony O’Reilly and AIB’s Gerry Murtagh, for each making personal contributions of “significant five-figure sums”.

He also revealed that the project has attracted the attention of former US ambassador to Ireland Jean Kennedy-Smith who was “completely blown away by it”. She has asked that at least some of the tapestries be temporarily shipped to Washington in 2011 for celebrations to mark the 50th anniversary of John F Kennedy’s inauguration.

The late president’s great-great-grandfather emigrated from the town and the Kennedy family maintains strong links with New Ross.

Yesterday’s opening was a low-key affair, with pride of place given to the volunteer embroiderers who expressed delight and pride at seeing their work hung permanently for the first time.

Mary Maher, a former secretary who had “stitched for two mornings a week” said it was “a fantastic achievement and brilliant to see on permanent display”.

All the embroiderers were women except John Ronan whose “wife encouraged me to have a go”. He was “uncomfortable in the beginning with all the women” but drew inspiration from his grandfather, “a tailor who had stitched his way into the fabric of the town”. Mr Ronan decided to “do the same” and yesterday said, “I’m so proud.”

Seán Connick, the local Fianna Fáil TD and a director of the project, was given a tour of the exhibition by Countess Bernstorff.

Afterwards, his “heart was thumping with pride” and he said, “This is what the community and the people of Ireland are capable of.”

The permanent exhibition is open to the public, seven days a week, from today at Priory Court, The Quay, New Ross.

A Fáilte Ireland spokesman said the exhibition was “destined to become a must-see attraction in Ireland”.

Taken From IrishTimes.com

Friday, March 27, 2009

Easter Tapestries Return to St. John the Divine

Easter Tapestries Return to St. John the Divine

The Cathedral Church of St. John the Divine has hoisted into place two poignant — and quite beautiful — reminders of the suffering and penance that always precede rebirth in the Christian liturgical calendar.

On Monday, members of the cathedral’s Textile Conservation Laboratory raised two of the 12 Barberini tapestries in St. John’s collection, “The Crucifixion” and “Agony in the Garden,” into the arches of the north and south transept for display during the Easter season.

It is the first time either of these tableaux have been on public view since the devastating fire in 2001 that heavily damaged the north transept and two other Barberini tapestries.

“We’re remembering the agony and the crucifixion first — and, in a way, we’ve had that, too,” said the Very Rev. Dr. James A. Kowalski, dean of the cathedral, which is the seat of the Episcopal Diocese of New York.

“It’s been a long journey until we got to this point.” The cathedral was rededicated last year after seven years of recovery, restoration, conservation and cleaning.

“We’re very lucky to have a treasury of art that can be used as this art was intended,” Dean Kowalski said — that is, to tell stories appropriate to the liturgical season of Lent, which began on Ash Wednesday (Feb. 25 this year) and will end on Holy Saturday (April 11), the day before Easter.

Though the tapestries were made by Giovanni Francesco Romanelli in the mid-1600s, they take their name from Cardinal Barberini, who commissioned them for Pope Urban VIII, his uncle. The pope died just as the set was being finished.

The tapestries were presented to the cathedral in 1891. When “The Crucifixion” was unrolled on Monday, perhaps the most striking sensation was the vividness of the blue in Mary’s robe and the red in John’s.

Details around the borders also popped out, like the bees symbolizing the Barberini family. Marlene Eidelheit, director of the textile laboratory, emphasized that she and her colleagues were as conservative as possible in their intervention, which included cleaning, interstitial weaving, spot patching and overall reinforcement. “We don’t do restoration,” she said. “We make sure it’s healthier and stronger.”

Coincidentally, as the 16-foot-high tapestries were raised into position, James Wetzel, a Juilliard senior who is the cathedral’s current organ scholar, was performing the weekly demonstration of the Aeolian-Skinner great organ.

After he finished Bach’s Fugue in A minor, he played an ethereal — almost elegaic — improvisational piece to accompany the tapestry raising. Acknowledging Lent, he based it on the hymn “40 Days and 40 Nights.”

Taken From NYTimes.com

Saturday, March 21, 2009

Quilt Show Honors State's Anniversary

Quilt Show Honors State's Anniversary

The Milwaukie Center, 5440 S.E. Kellogg Creek Drive, will host its 15th annual quilt show from 9 a.m. to 5 p.m. Friday and 9 a.m. to 4 p.m. Saturday. The exhibit theme is "My Oregon," in honor of the 150th anniversary of statehood.

The Milwaukie Center, 5440 S.E. Kellogg Creek Drive, will host its 15th annual quilt show from 9 a.m. to 5 p.m. Friday and 9 a.m. to 4 p.m. Saturday.

The exhibit theme is "My Oregon," in honor of the 150th anniversary of statehood. Quilts from the community range from vintage hand-quilted to current machine-made quilts. In the past, an average of 100 to 160 quilts have been entered.

A raffle will be held for a "Tapestry Rose Our Way" quilt, created by the center's quilting team, which adapted its own version of the standard Tapestry Rose pattern. Tickets are $1 or six for $5 and are available at the center's gift shop.

On Friday, there will be a suggested $3 donation and on Saturday admission is $3. You may purchase lunch either day. Sponsors are Sellwood Landing, Clackamas Federal Credit Union, Mill End Store and Friends of the Milwaukie Center. For information, call 503-653-8100.

-- Thelma Savage

Taken From OregonLive.com

Monday, March 16, 2009

European Decorative Arts Sales in New York Offer Fresh to the Market Private Collections in April

European Decorative Arts Sales in New York Offer Fresh to the Market Private Collections in April

NEW YORK, NY The month of April at Christie’s New York presents three sales of European Decorative Arts, which will bring fresh to the market works from the 17th century to the modern day, from several private collections and museums.

With a range of price points featured in each sale, collectors will find one-of-a-kind examples of furniture, sculpture, ceramics, tapestries, clocks and decorative works of art varying from the scholarly to the fantastic, and the austere to the ornate.

Important English Furniture, Clocks and Ceramics – April 7

Three estates lead the English Furniture, Clocks and Ceramics sale on April 7 — The Collection of Professor and Mrs. Clifford Ambrose Truesdell, Property from the Estate of Mr. & Mrs. Gordon T. Southam, and The Property of a Private Canadian Collector.

The Collection of Professor and Mrs. Clifford Ambrose Truesdell

Professor and Mrs. Clifford Ambrose Truesdell were a delightfully eccentric couple who shared an appreciation for the classics, music and art. Their diverse collection of Italian, Dutch and Flemish furniture was founded on connoisseurship and their story is one of passion, intellectual stimulation, and a love of beautiful objects. Works from the collection will be offered in the April 7th as well as the April and May sales of European Furniture.

Clifford Ambrose Truesdell III devoted his career to the advancement of rational mechanics, and his professional experience spanned from MIT and the Naval Research Laboratory to Indiana University and Johns Hopkins University.

Together with his wife, the Truesdells were a true “Renaissance couple” in every sense of the term. Their artistic interests ranged from Baroque music and fine silver to European paintings and Italian architecture, and these tastes shone through in the impressive works of art they lived with in their Palladian-style Baltimore home, Il Palazzetto.

The Truesdell English Furniture collection is comprised of 30 lots and is highlighted by a George II mahogany and silk damask four-poster bed, circa 1740 (estimate: $200,000-300,000).

This magnificent state bed was purchased by the Truesdells in the 1960s, shortly after it was removed from Brympton D’Evercy, the beautiful manor house in Somerset, England where the bed had been since the 18th century.

With its damask-covered cornice emblazed with the Fane family crest, the bed is a rare survivor from the early George II period and has been attributed to Giles Grendey, the celebrated London furniture maker.

Other English furniture highlights from the Truesdell collection include a George II giltwood mirror, circa 1735 (estimate: $50,000-80,000); two pairs of George III giltwood open armchairs attributed to John Linnell, circa 1765 (each estimate:

$150,000-250,000); a pair of George II gilt-gesso two-light girandole mirrors, circa 1725 (estimate: $120,000-180,000); and a pair of George II giltwood console tables, circa 1740 (estimate: $100,000-150,000).

Property from the Estate of Mr. & Mrs. Gordon T. Southam, Vancouver, Canada

The marriage of Jean MacMillan to Gordon Southam in 1941 united two of Canada’s top-tier families as well as the forestry and newspaper industries. The Southams enjoyed a life-long romance and an enduring partnership in which they traveled regularly to London and New York on collecting trips.

The Southam Collection is comprised of over 80 works and highlights include a Queen Anne walnut oval stool with floral needlework, whose pair is illustrated in Masterpieces of English Furniture and Clocks, (estimate: $30,000-50,000); a Queen Anne walnut settee, circa 1710 (estimate: $70,000-100,000); and a George I walnut chest-of-drawers, circa 1730 (estimate: $70,000-100,000).

Property of a Private Canadian Collector

A private collection from a Toronto country home consists of 60 works of furniture and paintings, with estimates ranging from $800 to $30,000, and several works offered for no reserve.

Top lots include a George IV mahogany secretaire breakfront bookcase, circa 1825 (estimate: $20,000-30,000), and a pair of George III satinwood, rosewood and marquetry commodes (estimate: $80,000-120,000).

Examples of various owner highlights in the April 7th sale are a George III giltwood side table with scagliola top, attributed to Thomas Chippendale, circa 1770 (estimate: $100,000-150,000), and a George III ormolu-mounted Wedgwood, Derby biscuit porcelain and white marble mantel clock by Vulliamy, the royal clockmaker (estimate: $40,000-60,000), and a George III ormolumounted mahogany commode attributed to Wright and Elwick, circa 1765, supplied to one of Britain’s great country houses, Wentworth Woodhouse (estimate: $30,000-50,000).

European Furniture, Works of Art, Sculpture and Tapestries – April 16

The European Furniture, Works of Art, Sculpture and Tapestries sale on April 16th will feature over 40 works from the Truesdell collection. A leading highlight is a Dutch eglomisé collector’s cabinet on stand (estimate: $40,000-60,000).

The eglomisé panels depict scenes from Roman myths and would open to reveal items of curiosity or objects of vertú. Surprises continue to unfold behind the two central doors which open to display the technical virtuosity of the cabinet-maker.

Its use of mirrors create the illusion of two complete houses whose inlaid facades slide to reveal further secret drawers for the rarest, or most secret of treasures.

Among the other highlights in the European Furniture offered in the Truesdell collection is an Italian silvered wood console, Rome, late 17th/ early 18th century. It appears to grow almost organically from a lushly carved foliate spray and is an early precursor to the natural forms that inspired the Rococo (estimate: $30,000-50,000).

A pair of North Italian giltwood torcheres, circa 1750 (estimate: $20,000-40,000), with their bold scrolling forms illustrate the asymmetry emblematic of this style.

In addition to the Truesdell collection, The European Furniture, Works of Art, Sculpture and Tapestries sale on April 16th offers unique objects such as collector’s cabinets, vivid tapestries, extravagant giltwood from the 18th century, as well as 19th and 20th century examples inspired by many stylistic eras. This diverse array assures there is something for every taste and budget.

The sale features a dozen tapestries, dating from the mid 16th century to the 18th century, which encompass many genres — armorial, mille fleurs, historical and mythological.

A Franco-Flemish millefleurs tapestry (estimate: $40,000-60,000) whose stylized, large scale flowers would be equally at home in both traditional and modern homes while a Flemish mythological game park tapestry, late 16th/ early 17th century, sold to benefit the acquisition funds of Carnegie Museum of Art in Pittsburgh, depicts the god of Music, Orpheus sleeping amongst vividly woven exotic animals (estimate: $30,000-50,000).

Works by the famed French design atelier Jansen and other furniture commissioned by interior decorators are also included in the auction. Among the group is an elegant pair of French ormolu-mounted black lacquer two-tier etageres by Jansen (estimate: $6,000-9,000).

An impressive pair of marble-veneered and ebonized wood bookcases designed by Renzo Mongiardino, circa 1987, were part of the spectacular custom furnishings made for the library in the Park Avenue apartment of the New York financier and philanthropist Peter Jay Sharp (estimate: $25,000-40,000). They are certain to make an equally strong impact with collectors of this highly sought after, legendary designer.

19th Century Furniture, Sculpture, Works of Art and Ceramics – April 21

The 19th Century Furniture, Sculpture, Works of Art and Ceramics sale on April 21st opens with a choice selection of European ceramics and glass, highlighted by a unique pair of Mintons pâte-sur-pâte vases by the master craftsman Louis Solon.

The pair titled 'The Key to Hearts' depicts maidens toying with putti enclosed within heart-shaped cages, (estimate: $150,000-200,000) and relates directly to a similar pair which achieved over $200,000 on the 21st of October 2008.

The Continental porcelain selection features a number of massive vases in both the Sevres and Vienna styles. A monumental Sevres style ivory-ground centerbowl stands over 137.8 cm. high (estimate $100,000 - 150,000); and three pairs of Vienna style vases in the $20,000-50,000 range feature finely painted classical and mythological vignettes.

This group is rounded out by 24 Vienna style sumptuous portrait plates depicting King Ludwig's gallery of Bavarian beauties from the Twinight Collection (estimate: $30,000-50,000).

Two charming studies of hounds on Berlin (K.P.M.) porcelain, dated 1888, immortalize the Prince and Princess of Battenberg’s favorite dogs named Wat and Basco (estimate: $5,000-7,000).

The Princess was Queen Victoria’s beloved youngest daughter Beatrice and by tradition, these plaques were passed by descent to the present owner from a member of the family in service at Windsor Castle.

Other unusual works in the majolica and palissy ware section include: a Mintons fish-form teapot and cover (estimate: $8,000-12,000) and a George Jones cobalt-blue ground garden seat (estimate: $6,000-8,000).

Recently deaccessioned from the Fine Arts Museums of San Francisco and sold to benefit the Acquisition Fund, a magnificent ormolu-mounted black and gilt-lacquered commode (estimate: $70,000-100,000) and its companion sécretaire (estimate: $50,000-70,000) are among the highlights of the afternoon session of Furniture, Sculpture and Works of Art.

These faithful reproductions are after the models by J.H. Riesener commissioned in 1783 by Marie Antoinette for her cabinet intérieur at Saint-Cloud. The originals, now at the Metropolitan Museum of Art, are considered to be the jewel in the crown of Riesener’s oeuvre.

Although the maker of these excellent copies remains a mystery, the quality of craftsmanship, while undoubtedly 19th century, is an homage to Riesener's mastery in the 18th century.

A group of European carved ivory works of art from the estate of J. Irwin and Xenia S. Miller, are led by two grand scale German carved ivory tankards ornately carved with mythological figures (estimate: $30,000-50,000 each).

Three dozen lots from a Mid-Atlantic private collection are offered at no reserve, and include a rare group of four Continental ‘jewelled’ ivory figures, each with a mechanical accoutrement, that exhibit exceptional ingenuity in their decoration and craftsmanship (estimate: $6,000-8,000 each).

Taken From ArtDaily.org

Friday, February 13, 2009

A Compelling Choice For Home Decor - William Morris Tapestries

A Compelling Choice For Home Decor - William Morris Tapestries

During the Victorian era Morris tapestries were renowned for their quality and finish, and their attention to detail. Each design was meticulously woven and was a prefect blend of ancient art and modern technique. It is no surprise that even now, a century later, modern decorators are looking again at the Morris legacy for their modern décor aspirations.

Originally founded as Morris, Marshall, Faulkner & Co in 1861, Morris & Co were renowned for the design and production of very high quality decorative art. The range of works included textiles, tapestries and stained glass work, much of which still survives today.

Founded on the Pre-Raphaelite principle of authenticity, William Morris embraced an ideal that viewed modern art as mere mass production, with none of the verve and dynamism of earlier approaches, in particular Medieval art, which they believed retained more of the artist's original personality in the work, lending it a uniqueness lost in mass production.

Through an early love of poetry Morris soon taught himself printing and from that learned to weave and work a loom. It was the latter pursuit that would come to demonstrate Morris's talent at it's most impressive. His wall tapestries became his most famous creations.

It was Morris's ambition to breathe new life into the art and he achieved it. Morris's wall hangings and tapestries still remain an important influence on design today. His most famous works generally featured figures drew by Burne-Jones. Morris would design the background and the tapestry would be woven by Morris & Co.

One of the most intricate and beautiful creations from the company is the Tree of Life tapestry. Designed by Morris it demonstrates his talent with patterns and his awareness and appreciation of the use of color. Symbolising growth and continuous life, the Tree of Life wall hanging is still one Morris's most recognised works.

Morris & Co.'s most popular religious tapestry The Adoration of Magi was first produced in 1890. As well as being Morris's most ecclesiastical it was also the most complex. At least ten similar versions of the tapestry were woven between 1890-1907. Originally designed by Burne-Jones the tapestry depicts the Nativity scene.

The Quest for the Holy Grail, currently exhibited at the Birmingham Museum is one of the most well known works of Morris & Co. Like many of the others, the tapestry, which depicts the fascinating story of the search for the Holy Grail, was designed by Edward Burne-Jones. It is one of six wall hangings illustrating the story and was woven in 1895-96.

Possibly the most captivating and charming of Morris & Co.'s tapestries is the Honour the women. Designed by Marianne Stokes the hanging was inspired by a quotation from Friedrich von Schiller's 1796 poem "Wurde der Frauen" (Women's Worth), which appears in the upper border: "Honour the Women, they braid and weave heavenly roses into earthly life."

However all William Morris tapestries are designed along similar lines, with vivid colors, striking subject matter and exceptional attention to detail.

Tapestries are one of William Morris's most enduring legacies. By the mid-19th century wall tapestries had become just another mass produced item. Driven by the need to demonstrate the importance of the individual over the means of production Morris used tapestry and textile design to revitalize the central importance of creativity in art.

Its effect was not only felt during the Victorian era, but also well into the 20th century influencing many modern graphic designers to experiment in new areas of design. Morris's approach, to assume all aspects of a work were open to experiment, has become more commonplace, but was unusual for its day.

Morris was one of the most prolific artists of the 19th century. The works of William Morris are proof that real beauty can be timeless. As popular today as they were over a century ago, Morris's art has continued to inspire new generations of art lovers looking for something more striking for their home décor choices.

Angela Dawson-Field writes extensively on home decor and tapestry & wall hangings. She divides her time between family and The Tapestry House

Saturday, November 8, 2008

Making an Impact With Tapestry Art

Making an Impact With Tapestry Art

Warmth and comfort as well as a dramatic art statement can be added to a modern home with the clever use of tapestry. Textile art has been popular in American homes for centuries and is enjoying an increased popularity with the various styles and designs available.

During the 17th and late 19th century tapestries were the height of fashion in American homes as the new wealthy sought to emulate the aspirations of the Mother country. British fashions were imported as inspiration was transported across the seas to America and fashionable homes.

Splendid tapestries imported from Europe adorned many American homes in the 17th and 19th century. Elaborate designs were more often than not found in a parlour than in the bedroom and were very much on display.

Often a European made tapestry was among the most valued items listed in a householder's possession. America's industrial revolution and urbanisation of the cities gave rise to unprecedented wealth among the elite. These included the Vanderbilts and Astors. European style homes were inspired by and modelled on palaces in the Mother country.

The new American "Royalty" liked nothing more than to display their newly acquired wealth which included the resurrection of centuries old interior fashion design. George Washington Vanderbilt's Biltmore was such a house, having two magnificent eighteenth tapestries of Vulcan and Venus as a focal feature.

At Vanderbilt Mansion the bedroom of Frederick Vanderbilt was panelled with Circassian walnut and decorated with 17th century Flemish tapestry in an echo of European aristocratic fashion.

The work of William Morris, though short lived, proved very popular as the designs of the Arts and Crafts Movement swept across both sides of the Atlantic. These very distinctive patterns and designs furnished many homes and inspired new interest in tapestry art, although this turned out to be a short lived fashion with very little alternative innovative designs appearing for several decades.

The prospect of large and unbroken walls in homes with the development of rather austere furniture saw resurgence in popularity for tapestry art in the mid 20th century. The flexible charm of tapestry art was seen as a real alternative too a framed painting, particularly where people were more mobile than before. A well selected tapestry could furnish and add warmth to a home, yet was flexible enough to be rolled up and moved where necessary.

Today many people in search of inspiration and something different for their interior design choose a tapestry as a wall hanging. The quality and detail offer a unique feature to complement any wall and the texture brings a fresh perspective to many well known artistic forms such as the medieval tapestry range.

Tapestry may not have grown in a design context in America but the availability of different styles and designs means that a prospective buyer looking to add a special feature to the home has never had more choice. It is now very easy to be creative and style a room using exquisite pieces of wall art.

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Angela Dawson-Field writes extensively on home decor and tapestry & textile art. She divides her time between family and The Tapestry House

Tuesday, November 4, 2008

Interior Design - Do the Interior Design For Your Home by Using Tapestries and Other Accessories

Interior Design - Do the Interior Design For Your Home by Using Tapestries and Other Accessories

Home interior decorating is all about smartening up the interior environment of a room to make it attractive and stylish. Interior design of a home reflects the tastes and style statements of the occupants.

The interior design of a room can be significantly enhanced and customized to make it compatible with the preferences of the occupants. There are countless accessories and home decorating ideas which can significantly alter the way your home looks.

One such accessory is Art tapestry. An art tapestry can enliven the corners of your room with its grandeur and splendour. Its sheer presence in a room can change the interior environment and brighten up the mood of the occupants the moment they enter.

That's why many interior design professionals extensively use these art tapestries to enhance the look of a home. The other advantage of using art tapestries is its low cost. In a limited budget, you can add beauty and class to your drawing or bed rooms.

Art tapestries are hand woven or machine made fabrics which are adorned with images and paintings. The images portray the social events or life styles of our ancestors. Therefore, you can find images of castles, historical monuments, lakes, landscapes and hunting scenes on these artefacts.

The tapestries are deftly crafted and the skilled craftsmanship can mesmerize anybody. The tapestries are a delight for art connoisseurs. We, at tapestries-tapestry.com, can help you do the interior design of your home in great style by providing you with rare and authentic tapestries.

The tapestries can be used as wall hangings or cushion covers in a room. There are also tapestry hand bags available which are great as showpiece items. And there are great many varieties of tapestries available to meet the preference and requirements of every homeowner.

You can choose from a comprehensive collection of Belgian tapestries, Medieval tapestries, Chenille tapestries, European tapestries, Italian tapestries, Flanders tapestries, William Morris Tapestries and Oriental tapestries. The tapestries have truly become great accessories for home decorating art.

However it is very important to buy original tapestries to experience its beauty. And for that you need a reliable and experienced supplier who can also advice you on home decorating art. Our online shop is known for supplying authentic art tapestries at competitive prices. So to book orders or for expert advice on home interior decorating please click at tapestries-tapestry.com.

Jude is a well known author who writes on topics related with Interior Design, Home decor and Tapestries Wall Hanging.

Sunday, November 2, 2008

Creating a Country Cottage Look For Your Home Decor

Creating a Country Cottage Look For Your Home Decor

Let's look at a few things that you could do to really have the most beautiful decor!

The first thing to look at is the walls. If you want cottage style walls then you will see that they are normally done in soft, comforting colors like white, cream, light blue or sage. Very soft pink or yellow works well too and can blend with many different colors.

Floral or small print wallpaper in soft colors follows with the theme. Just the right tapestry wall hanging can really put the room together with the look you're really going for.

The next thing to look at is the floors. Cottage style floors are usually simple, informal and imperfect. Light wood floors look perfect with scattered area rugs to add color. Painted wood floors that blend well with walls work well for that cottage "used" look.

Light fixtures will go a long way to really creating the perfect country cottage feel to it. Look for Bean pot lamps in different colors keep with the informal look of the cottage style. Glass lamps, gold or nickel or painted ceramic also do well. Lamp shades can be easily made by gluing left-over fabric from your throw pillows or curtains over a plain shade. Or try hanging crystal chandelier pendants from the bottom of the shade.

Your kitchen cabinets should be painted with either White, cream or sage. Sometimes a red, dark blue or green can give vibrant color but still work well with the cottage look. Taking off the doors on the dish cabinets is very popular so you can show off your dishes. Glass inserts are also in line with the cottage look.

The great thing about cottage style is the older and more loved a piece of furniture is the better it fits in. Furniture is usually painted pieces in white, cream or sage colors but any color that blends with your decor will work well. The function of the furniture can change around too. A bench can make a great coffee table or a kitchen table can serve as a desk. Couches and chairs should be puffy with lots of throw pillows.

Window dressings should be light and airy to follow along with the soft cottage style. Try curtain rods with decorative finals to add a touch of distinction. Cotton floral or stripe curtains that blend with your decor will keep things light.

Lace curtains or sheers are also an option. A simple valance works well too and for privacy you can have a pull-down shade that hides during the day. Painted shutters are also a nice option for kitchen or living room windows. They give the room the ultimate cottage look.

When considering the wall decor, you might find the Lapin Rabbits Tapestry as a perfect fit. Scattering area rugs on the hardwood floors is the great compliment that makes the room warm and inviting. What about adding the sheepskin wool rugs, as one cozy idea?

Sunday, October 19, 2008

How to Decorate Your Home in Victorian Style

How to Decorate Your Home in Victorian Style

Maybe it was a movie or an old book that got the idea in your head. Perhaps you want to take your home back in time to a more romantic and beautiful point in history. No matter what the reason, if you are ready to embark on the process of decorating your home in Victorian style it is not going to be as difficult of a job as you may think.

Colors of Victorian Style

Before you begin your shopping, you should have a color set that you are looking for to make sure all the portions of the room you are decorating go together. This is vital. Think of Victorian homes where something obviously doesn't fit. You can't? That's because it is not supposed to happen. The theme is supposed to look as if it was painstakingly put together piece by piece, each a perfect fit.

Most of the colors of this period are light. Don't waste time on pigment if you don't have to. Even though they were available in Victorian times, the style was inspired by classical Greek statues and looks, and therefore is very scarce in using colors, at least not bright ones.

If you are creating a late Victorian look, you can use some darker colors as the second half of the Victorian era did see more rich colors in dining rooms, bedrooms and libraries.

Make it Luxurious

Whatever you choose, think luxury. Victorian style is meant to show off that you appreciate the better things in life and that your furnishings are those better things. In today's world that doesn't mean you have to spend a fortune, just keep your eyes open for items that while affordable look as if they could be priceless.

Wall Decor

Much of what makes Victorian rooms what they are is the way the walls look. From rich, lush curtains around the windows to wallpaper and wall decor there are plenty of places to show off the posh adoration of Victorian style on your walls.

If choosing wallpaper, look for floral scrolled patterns or even paper that looks like a trellis has been covered with flowers in the room.

If you really want to make a statement, consider a William Morris wall tapestry to add a rich and lush accent to the room that brings that time period to life.

Take your Time

The most important thing to keep in mind as you create a Victorian themed room in your home is to take your time. Many people want to rush renovating jobs to completion. Doing this, you may rashly purchase a piece to 'fill a space' and not find the piece that is perfect for that space.

The creation of a Victorian decorated room in your home should be considered a work in progress. Only put a piece in if you know it is the right piece to put in the space. If not, keep looking until you find the right one. It may take longer to complete the project this way, but once you are done it will be a room you are forever in love with.

Want to give your home a touch of elegance? Then see this range of William Morris tapestries including the Tree Of Life tapestry as elegant wall decor. Tom Matherson writes for Worldwide Tapestries which offers a wide selection of wall art for decorating your home.

Friday, September 26, 2008

Tapestries Wall Hangings: Best For Home Decor

Tapestries Wall Hangings: Best For Home Decor

Tapestry is a unique form of textile art. It is hand knitted on a vertical loom. The presence of Tapestries wall hanging has been witnessed since the Hellenistic times. During the fourteenth century AD, the art of making tapestries wall hanging reached a new stage in Europe.

It originated in Switzerland and Germany and then moved on to the Netherlands and France, later spreading to the whole of Europe. During the 14th and 15th centuries, France became the centre of this rare art. The French Revolution some what affected the presence of this art.

The Tapestries wall hangings became extremely popular in medieval Europe. In fact, Wall Hangings Tapestries made its presence in every nook and corner of a common man's house. The different types of Wall Hangings Tapestries include the Croft European, religious and the Bayeux embroidered tapestry.

Tapestries wall hangings are a rare collection. The warp threads are hidden in the final work. This is unlike cloth weaving, where we get to see the existence of both the weft threads and the warp. Utilizing this unique technique, a vibrant coloured outline of the image is created. Usually, the cotton or the linen is used as the warp thread.

The weft thread usually consists of cotton or wool, but may also include gold, silver, silk, and other alternatives. This uniqueness provides it with a natural aesthetic beauty. Its long heritage and beauty is no match for the contemporary and traditional decorative items of today.

The Tapestries wall hangings are available in different designs and colours. The main yarn colours are bluish green, russet or terracotta, olive green, dull gold and blue. Sage green and black is also not uncommon. Late repairs are worked in orange, light yellow, and shades of sober greens.

The different patterns, designs and styles used in these Wall Hangings Tapestries include beautiful landscapes, pictures of animals and wildlife and court scenes. It also includes images of the countryside and the city life as well, besides certain religious and mythological events.

During the 14th and 15th centuries, Arras, France was a prosperous textile town. The industry focused in manufacturing fine wool tapestries that were sold to decorate the castles and palaces of kings and nobles all over Europe. Even in the modern era, Tapestries wall hangings are very popular and are used to provide a unique ambience to the house.

There are certain premium tapestry sellers like Croft European Tapestries that will help you acquire brilliantly coloured tapestries with intricate designs. Use one of them to create a mesmerising ambience in your home or workplace!

Janet is a well-known author who writes on the topics related with Tapestries, Tapestries Wall Hangings, Religious Wall Hanging & more for the site www.crofteuropeantapestries.co.uk.