The Quaker Tapestries - An Inspired Creation

For centuries faith and spirituality has inspired art and the development of tapestry. The Quaker tapestry is a twentieth century creation, and originally an idea by Anne Wynne-Wilson after studying the magnificence of the Bayeux Tapestry.

She became enthralled at the concept of telling stories through tapestry and aimed to create a project that told the story of the development of the Quaker religion worldwide. As the masterpiece grew the very essence of spirituality became woven into the work.

The Bayeux Connection

Anne Wynne-Wilson proposed a crewel based tapestry consisting of separate panels which could then be sent to different Friends in the Quaker faith to complete, and at the same time enable people to learn about the story of the Quaker religion.

Like the Bayeux Tapestry the technique saw three separate panels, each with a restricted colour scheme on hand woven wool with the material designed to stand the test of time. The tapestry contained four ancient stitches - Stem, Knot, Split and Chain with the thread laying method of Bayeux Point, and natural dyes.

The original intention had been to create a tapestry to tell the story of the development of the Quaker faith globally, however the faith of the stitchers became embedded in the work and in doing so captured the very essence of the elements that motivate Quaker faith.

The Children of Light

Light has always been significant in the teaching of Quakerism, particularly the concept of Inner Light. This is portrayed via the first tapestry inspiring Quakers to use themselves to reflect their inner light on others. A simple prism glowing colour and direction strengthens the belief that early Quakers called themselves "The Children of Light."

George Fox founded the Quaker movement in 1652 and his life and teaching is beautifully recorded throughout the panels. Accompanying pictures of events in his life are texts with simple Quaker teachings and beliefs.

Light weaves its way through the tapestry and acts as a simple thread which joins the thoughts, work and culture of Quakerism. Panels bearing simple teaching and thought accompany designs of key Quakers such as Fox, and tell their story through tapestry.

Through the panels the feeling of quiet contemplation and simplicity emerges when viewing the designs of Quaker Merchants or John Woolman in prayer. Others reflect a more turbulent time and portray anger, persecution and a questioning of belief during the history of the religion.

The panel depicting the persecutions of Oxford in 1654 have been designed to impart fear and the real horror of the event when two Quaker missionaries attempted to talk to the people. The detailed facial expressions ensure the dark days of Quaker history are told to the observer and not forgotten. Art has always enabled stories to be told through expression and simplicity and this dramatic and reflective work stands as a testimony to the Quaker faith.

Simple Values of a Global Religion

As light shines through the panels the true Quaker values of healing, compassion and reform emerge. Elizabeth Fry and her work in transforming prison services, known Quaker doctors who pioneered new ways of healing, and those who reached out to help displaced people are represented in the stitching and tell the story in simple words and pictures of their life's contribution. Healing through plants and the relief of suffering weave their way through the tapestry with the placing of delicate botanical pictures adding colour and light.

The adventurous and enterprising nature of Quakers is portrayed both with the designs of William Penn discovering Pennsylvania and in those showing engineering inventions and the whole tapestry manages to tell many different stories within one bigger tale.

Each small picture carries a message and new learning within the designs and colour schemes. Simple Quaker texts combined with pictures and expressions impart the thoughts and beliefs of their designers in a creative tableau.

The unique concept behind the Quaker Tapestry has ensured a global belief has been captured by sending sections overseas to be completed, each adding a new story and a cultural flavour, whilst enabling the light of the Quaker faith to be reflected in the exquisite design.

An Inspirational Legacy

When the Bayeux Tapestry was designed and put on display it laid the foundation for a concept in storytelling that spanned the ages and enabled a tale to be portrayed in a unique media. In future years the Bayeux and Quaker Tapestries may inspire more creative ideas in art and design to tell a tale of momentous and transformational events in history and everyday life.

Angela Dawson-Field writes extensively on home decor and tapestry & textile art. She divides her time between family and The Tapestry House

Professor Helps Shed New Light on Renowned Bayeux Tapestry

The Bayeux Tapestry captured a pivotal moment in European history. The 230-foot-long embroidered cloth, which depicts events leading up to the Battle of Hastings in 1066 and scenes from the battle iself, is renowned among scholars of medieval history, art and literature.

Illinois Wesleyan University Professor of English Dan Terkla is helping to uncover the mysteries of the Tapestry with the new book The Bayeux Tapestry: New Interpretations (Boydell & Brewer, 2009).

“History is written by the victors, and the Tapestry is a great piece of public relations,” said Terkla, who co-edited the collection of essays for the book, and contributed his own chapter. In the case of the Bayeux Tapestry, the victor was William of Normandy, who defeated King Harold I of England at the Battle of Hastings.

Thought to be embroidered around 1068, the Tapestry tells the story of how William the Conqueror ascended to the throne of England as the rightful king, and portrays Harold as a usurper.

Bayeux Tapestry Cover

Edited by Terkla, Martin Foys and Karen Eileen Overbey, the book is a collection from a combination of well-established scholars and voices new to Tapestry studies, said Terkla. “We truly hope to live up to the title of the book, New Interpretations,” he said.

“Not only does the book take a multi-disciplinary approach, with scholars from fields ranging from history to art to Anglo-Saxon studies contributing, but its particular mix of seasoned and young scholars can provide a new perspective.”

Terkla’s chapter, titled “From Hastingus to Hastings and Beyond: Inexorable Inevitability on the Bayeux Tapestry,” situates the Norman invasion of 1066 in a context that reaches back to the first Viking ruler in Normandy, Hastingus, forward to William and the Norman invasion, and beyond to the broader history of Norman conquests.

Setting the Tapestry in this broad context causes one to wonder, as Terkla does, “Did Hastingus’s presence in Normandy set into motion an inevitable link that runs all the way to William?” He argues that the Tapestry’s design creates a sense of historical inevitability through its use of line.

Read complete article in IWU.edu

Tapestry-Tastic Exhibition at An Lanntair

TAPESTRY has never gone away, but the new An Lanntair exhibition – Suas leis an Oir-Ghreus! (Long Live Tapestry!) – is still pitched as something of a revival.
And Suas leis an Oir-Ghreus was in fact first shown as 'Vive le Tapisserie!' at the French Institute in Edinburgh last year – proving in its own way that tapestry is something of an international language.

The exhibition comprises of four miniatures, each created by 17 of Scotland's leading tapestry artists.

Archie Brenna, Sara Brennan, Amanda Gizzi, Linda Green, Alice Hannigan, Maureen Hodge, Stephen Hunter, Fiona Hutchison, William Jefferies, Ellen Lenvik, Brigitta MacDonald, Jo McDonald, Susan Mowatt, Colin Parker, Paul R Penrice, Anna Ray and Joanne Soroka are all members of the newly formed group STAR (Scottish Tapestry Artists Re-Grouped); and graduates of the tapestry department of Edinburgh College of Art.

Read complete article in StornowayGazette.co.uk

The Wish Maker Unfolds A Cultural Tapestry Of Contemporary Pakistan

About a month ago on "The Daily Show," Jon Stewart began a segment about Pakistan by describing it as a “distant and mysterious land of spice and anger.” After momentarily feigning interest in the country's history and culture, he admitted, “Actually, we really just care about the nuclear arsenal.”

That wry jab at single-minded reporters might amuse Ali Sethi, who's written an earnest and deeply considered debut novel about Pakistan without pandering to the interests and clichés that dominate our nightly news. The Wish Maker is a family saga that gracefully unfolds a cultural tapestry of contemporary Pakistan.

Zaki Shirazi is the intelligent, observant son of two affluent matriarchs, his grandmother Daadi and his mother Zakia. His father died while flying a military plane when Zaki was “minus two months old.”

The Wish Maker begins with Zaki returning from an Ivy League education in the States to find his home, Lahore, Pakistan, changed. “There was an added estrangement from the known,” Zaki notes.

“The drive home was too short, the bridge too small, the trees not high enough on the canal ... the bed in my room was just a bed.” Sethi's clearly writing from recent experience — he, too, is an affluent Ivy League-educated 24-year-old of Lahore, Pakistan. Sethi's prose, however, is written with the disciplined distance and evenhanded delivery expected from someone twice his age.

Read complete article in CreativeLoafing.com

The Rich Tapestry Of Contemporary American Extremism

For many years he was the “monetary architect” of the “Liberty dollar,” much beloved by antigovernment “Patriots.” Nowadays, after running afoul of federal authorities over his alternative currency scheme, Bernard von NotHaus has embarked on a more ethereal venture: the Free Marijuana Church of Honolulu, where he is the “high priest.”

Church members step into the “High Room” for one toke of marijuana, then retire to a meditation room “in serene bliss,” according to a church press release.

Von NotHaus, 64, says he once was friends with psychedelic drug proponent Timothy Leary. But he’s best known on the radical right for creating “American Liberty currency” certificates in denominations of $1, $5 and $10, starting in 1998. The certificates were backed by stocks of silver and gold stored in Idaho, von NotHaus said.

The currency has been popular with extreme-right tax protesters and members of the radical “sovereign citizens” movement, who maintain that the federal government has no right to tax or otherwise regulate them, as well as those who believe that the Federal Reserve, America’s central bank, is run by a private body for personal profit.

In 2007, federal agents raided the company’s Evansville, Ind., headquarters, and seized two tons of copper coins featuring Republican presidential candidate Ron Paul and 500 pounds of silver from a Liberty Dollars warehouse. The raids followed the U.S. Mint’s issuance of a public warning to consumers and businesses that using Liberty Dollars in lieu of U.S. currency was a crime.

Read complete article in Wired.com

Easter Tapestries Return to St. John the Divine

The Cathedral Church of St. John the Divine has hoisted into place two poignant — and quite beautiful — reminders of the suffering and penance that always precede rebirth in the Christian liturgical calendar.

On Monday, members of the cathedral’s Textile Conservation Laboratory raised two of the 12 Barberini tapestries in St. John’s collection, “The Crucifixion” and “Agony in the Garden,” into the arches of the north and south transept for display during the Easter season.

It is the first time either of these tableaux have been on public view since the devastating fire in 2001 that heavily damaged the north transept and two other Barberini tapestries.

“We’re remembering the agony and the crucifixion first — and, in a way, we’ve had that, too,” said the Very Rev. Dr. James A. Kowalski, dean of the cathedral, which is the seat of the Episcopal Diocese of New York.

“It’s been a long journey until we got to this point.” The cathedral was rededicated last year after seven years of recovery, restoration, conservation and cleaning.

“We’re very lucky to have a treasury of art that can be used as this art was intended,” Dean Kowalski said — that is, to tell stories appropriate to the liturgical season of Lent, which began on Ash Wednesday (Feb. 25 this year) and will end on Holy Saturday (April 11), the day before Easter.

Though the tapestries were made by Giovanni Francesco Romanelli in the mid-1600s, they take their name from Cardinal Barberini, who commissioned them for Pope Urban VIII, his uncle. The pope died just as the set was being finished.

The tapestries were presented to the cathedral in 1891. When “The Crucifixion” was unrolled on Monday, perhaps the most striking sensation was the vividness of the blue in Mary’s robe and the red in John’s.

Details around the borders also popped out, like the bees symbolizing the Barberini family. Marlene Eidelheit, director of the textile laboratory, emphasized that she and her colleagues were as conservative as possible in their intervention, which included cleaning, interstitial weaving, spot patching and overall reinforcement. “We don’t do restoration,” she said. “We make sure it’s healthier and stronger.”

Coincidentally, as the 16-foot-high tapestries were raised into position, James Wetzel, a Juilliard senior who is the cathedral’s current organ scholar, was performing the weekly demonstration of the Aeolian-Skinner great organ.

After he finished Bach’s Fugue in A minor, he played an ethereal — almost elegaic — improvisational piece to accompany the tapestry raising. Acknowledging Lent, he based it on the hymn “40 Days and 40 Nights.”

Taken From NYTimes.com

Quilt Show Honors State's Anniversary

The Milwaukie Center, 5440 S.E. Kellogg Creek Drive, will host its 15th annual quilt show from 9 a.m. to 5 p.m. Friday and 9 a.m. to 4 p.m. Saturday. The exhibit theme is "My Oregon," in honor of the 150th anniversary of statehood.

The Milwaukie Center, 5440 S.E. Kellogg Creek Drive, will host its 15th annual quilt show from 9 a.m. to 5 p.m. Friday and 9 a.m. to 4 p.m. Saturday.

The exhibit theme is "My Oregon," in honor of the 150th anniversary of statehood. Quilts from the community range from vintage hand-quilted to current machine-made quilts. In the past, an average of 100 to 160 quilts have been entered.

A raffle will be held for a "Tapestry Rose Our Way" quilt, created by the center's quilting team, which adapted its own version of the standard Tapestry Rose pattern. Tickets are $1 or six for $5 and are available at the center's gift shop.

On Friday, there will be a suggested $3 donation and on Saturday admission is $3. You may purchase lunch either day. Sponsors are Sellwood Landing, Clackamas Federal Credit Union, Mill End Store and Friends of the Milwaukie Center. For information, call 503-653-8100.

-- Thelma Savage

Taken From OregonLive.com

The Bayeux Tapestry, Napoleon and the Nazis

University of Leicester

The Bayeux Tapestry is an 11th century Norman interpretation of the Battle of Hastings in 1066 and one of the many mysteries surrounding it is why this iconic eleventh-century source has been so coveted by modern dictators.

Dr Carola Hicks, a former fellow of Newnham College, Cambridge, lecturer in Art History at Cambridge, and a prolific author of many books on medieval history and art history, will be pondering this question in a public lecture to take place at the University of Leicester on Wednesday 18th March at 6pm.

Dr Hicks will discuss the way in which the story told by the Tapestry was appropriated by later regimes, who sought to reinterpret the past in the light of contemporary political and military goals.

Her research has taken her to the archives of the Nazi regime, including personal letters from Himmler showing that he coveted the Tapestry as a key piece of evidence to link contemporary Nazi ideology with the Viking past (and the conquest of the British Isles).

Napoleon too realised its propaganda value in support of his own military ambitions against the English people.

Dr Joanna Story, Senior Lecturer in Early Medieval History, and co-organiser of the Medieval Research Centres public lecture series commented: “The past is (as any student of history, archaeology or literature knows well) constantly being re-interpreted and reshaped, often to fit modern political or cultural objectives. In her lecture Dr Hicks will show us how one of the most iconic, recognisable pieces of medieval story-telling, was coveted by dictators in the modern era.”

Dr Carola Hicks is an expert in the reception and (re)-interpretation of medieval sources, buildings and objects in later centuries. Two of her most recent books include The Kings Glass (2007 – abridged for Radio 4) and The Bayeux Tapestry: The Life Story of a Masterpiece (2006), which reveals the mystery, secrets and continuing fascination of the 70m tapestry, worked nearly 1000 years ago and still a vibrant example of pictorial storytelling.

Dr Hicks groundbreaking book on the Bayeux Tapestry explores the way in which generations of people have interpreted this iconic object in the centuries after the eleventh-century Norman Conquest of Anglo-Saxon England. The Tapestry tells a pro-Norman version of the events that led up to Duke Williams victory against the Anglo-Saxon armies in 1066.

The lecture is open to all comers, and is particularly recommended for undergraduate and graduate students of History, Archaeology and English who are interested in the ways in which the past is shaped, reshaped and retold – often for nefarious political motives.

The Medieval Research Centre is a forum for all students and staff at the University of Leicester whose work focuses on the sources and interpretation of the Middle Ages (School of Historical Studies, School of Archaeology and Ancient History, School of English).

http://www.le.ac.uk/arts/medieval/

The activities of the MRC include the annual series of Public Lectures, of which this lecture is a part, as well as a research seminar series. The final lecture in the 2009 series, The Matter of Fulk: Romance and History in Fourteenth Century England? will be given by Professor Ralph Hanna, of the University of Oxford, on Wednesday 6th May.

Dr Carola Hickss talk,The Bayeux Tapestry, Napoleon and the Nazis will take place at the University of Leicester Attenborough Lecture Theatre 2 (Film Theatre) on Wednesday 18th March 2009, 6.00pm. It is open to the public and free of charge.

Taken From InLoughBorough.com

A Compelling Choice For Home Decor - William Morris Tapestries

During the Victorian era Morris tapestries were renowned for their quality and finish, and their attention to detail. Each design was meticulously woven and was a prefect blend of ancient art and modern technique. It is no surprise that even now, a century later, modern decorators are looking again at the Morris legacy for their modern décor aspirations.

Originally founded as Morris, Marshall, Faulkner & Co in 1861, Morris & Co were renowned for the design and production of very high quality decorative art. The range of works included textiles, tapestries and stained glass work, much of which still survives today.

Founded on the Pre-Raphaelite principle of authenticity, William Morris embraced an ideal that viewed modern art as mere mass production, with none of the verve and dynamism of earlier approaches, in particular Medieval art, which they believed retained more of the artist's original personality in the work, lending it a uniqueness lost in mass production.

Through an early love of poetry Morris soon taught himself printing and from that learned to weave and work a loom. It was the latter pursuit that would come to demonstrate Morris's talent at it's most impressive. His wall tapestries became his most famous creations.

It was Morris's ambition to breathe new life into the art and he achieved it. Morris's wall hangings and tapestries still remain an important influence on design today. His most famous works generally featured figures drew by Burne-Jones. Morris would design the background and the tapestry would be woven by Morris & Co.

One of the most intricate and beautiful creations from the company is the Tree of Life tapestry. Designed by Morris it demonstrates his talent with patterns and his awareness and appreciation of the use of color. Symbolising growth and continuous life, the Tree of Life wall hanging is still one Morris's most recognised works.

Morris & Co.'s most popular religious tapestry The Adoration of Magi was first produced in 1890. As well as being Morris's most ecclesiastical it was also the most complex. At least ten similar versions of the tapestry were woven between 1890-1907. Originally designed by Burne-Jones the tapestry depicts the Nativity scene.

The Quest for the Holy Grail, currently exhibited at the Birmingham Museum is one of the most well known works of Morris & Co. Like many of the others, the tapestry, which depicts the fascinating story of the search for the Holy Grail, was designed by Edward Burne-Jones. It is one of six wall hangings illustrating the story and was woven in 1895-96.

Possibly the most captivating and charming of Morris & Co.'s tapestries is the Honour the women. Designed by Marianne Stokes the hanging was inspired by a quotation from Friedrich von Schiller's 1796 poem "Wurde der Frauen" (Women's Worth), which appears in the upper border: "Honour the Women, they braid and weave heavenly roses into earthly life."

However all William Morris tapestries are designed along similar lines, with vivid colors, striking subject matter and exceptional attention to detail.

Tapestries are one of William Morris's most enduring legacies. By the mid-19th century wall tapestries had become just another mass produced item. Driven by the need to demonstrate the importance of the individual over the means of production Morris used tapestry and textile design to revitalize the central importance of creativity in art.

Its effect was not only felt during the Victorian era, but also well into the 20th century influencing many modern graphic designers to experiment in new areas of design. Morris's approach, to assume all aspects of a work were open to experiment, has become more commonplace, but was unusual for its day.

Morris was one of the most prolific artists of the 19th century. The works of William Morris are proof that real beauty can be timeless. As popular today as they were over a century ago, Morris's art has continued to inspire new generations of art lovers looking for something more striking for their home décor choices.

Angela Dawson-Field writes extensively on home decor and tapestry & wall hangings. She divides her time between family and The Tapestry House

The Bayeux Tapestry - Controversy Rages On

The practice of reproducing tapestry art for use in the home is becoming more popular by the year. The versatility of tapestry lends itself easily to use for a more substantial version of masterpieces. Among the many reproductions of famous artwork sometimes seen in living rooms are scenes from a work known as the Bayeux Tapestry.

The Bayeux Tapestry has been the source of much controversy over the centuries since the Norman Conquest. Strictly speaking, it's not a tapestry at all, but a series of embroidered panels stretching some 230 feet in length. It has long been held up as one of the most authentic historic accountings of William the Conqueror's invasion of Britain.

There is enough muddle over its commission, origin and authenticity to spur vigorous debate at many a dinner party or soiree. Portions of the 'tapestry' are well known enough to be easily recognizable, and the events that took place are clearly depicted. How accurate the portrayal is has oft been brought into question, however.

The Tapestry's Origin
The commission of the tapestry has alternately been assigned to various parties. Some attribute it to William's devoted wife Mathilde, who was said to have stitched it with her ladies in waiting. They point to one Aethelflaed, widow of Byrhtnoth, Earl of Essex who died in the Battle of Malden in 991. Aethelflaed commissioned a tapestry of her husband's last stand in honor of Byrhtnoth, and presented it to the Ely Cathedral.

A more plausible explanation perhaps is that William's half-brother, the Bishop Odo of Bayeux, directed that the tapestry be embroidered in England by Saxon nuns. Others maintain the work was done in Winchester itself. Certainly the tapestry is of the right length to surround the nave of the Bayeux Cathedral, and the stitching is comparable to premier English needle workers of the time.

The tapestry itself has several prominent scenes which have been reproduced for home interior use. Harold's preparations for the invasion is one, the launching of William's fleet to set sail for Britain and his subsequent landing comprise two more. The Battle of Hastings which concludes the existing tapestry is particularly favored as a reproduction.

Historical Accuracy In Doubt
Still more debate rages over the actual historical value of the tapestry, seeing as how it was commissioned by the victors and understandably can be expected to be slanted hard in their favor. There is no solid description of the Norman conquest from the invaded countrymen's point of view, and nearly all of the information we have of the event is gleaned from the tapestry itself.

The Normans maintain that William had received an oath of support from Harold, brother-in-law of Edward the Confessor, after William had rescued Harold from shipwreck. When Harold ascended to the throne of England upon Edward's death, William invaded citing Harold's breach of faith as the reason.

Historians differ in their acceptance of this version of events. The only collaboration of Harold's oath ever occurring is in a Norman account dating a full ten years after the invasion. This naturally falls under the same suspicion as it is likely the Normans would paint themselves in the best possible light despite the real facts of the matter.

Be that as it may, the panels showing Harold swearing allegiance and later being killed are among some of the most well known panels. The controversy lingers - The panel showing the Prince's death holds some ambiguity as to how he actually died.

Tradition holds that it was an arrow through the eye that took him out, but the embroidered words on the tapestry are ambiguous both in context and placement.

Tapestry Still Worth Consideration
Some things in the tapestry ring undeniably true; the appearance of Halley's comet is chronologically correct, and the castles of the time are depicted inside and out with what seems to be reasonable accuracy based on excavations of similar sites.

It is likely that there is as much truth as propaganda in the tapestry as a whole, much like many other historic documents written from one side's point of view.

When looking at the panels available as reproductions, you should decide which portion of the story you wish to concentrate on. Most of the research concerning the Norman conquest is based on the tapestry itself, so don't expect to find much more than general suppositions.

One thing you can count on is for the controversy to continue. Whatever the panel or panels you choose for your home, you can rest assured your selected portion of the Bayeux Tapestry will quickly become a conversation piece and a valuable, interesting addition to your home.

Copyright © The Tapestry House, all rights reserved.

Angela Dawson-Field writes on a number of subjects for the Tapestry House including the Bayeux Tapestry and other Medieval tapestry wall hangings

Bayeux Tapestry, William the Conqueror

Many major tapestry works-of-art are made and currently on display in Paris, France, and are considered to be true treasures of the world and a known as French tapestries. This is not surprising at all; Paris has been own to be one of the world's major art centers in the world.

Paris is home to some of the world's most renowned artists, may it be in literary or visual arts, including Vincent Van Gogh and Marcel Duchamp, among others. It is also home to the world's most renowned museums, including the museums of Pablo Picasso and Gustave Moreau. For the French to claim that they are creating the world's most extravagant tapestry pieces, is justified.

It is also no surprise that the Bayeux Tapestry is first connected to France. Perhaps the most elaborate piece of tapestry in existence, it is currently displayed in Normandy, France. The Bayeux Tapestry was first said to be commissioned by Queen Matilda as a gift to William the Conqueror, although this story is most likely a romantic fiction rather than a historical fact.

Another French royalty commissioned for the creation of another French wall hanging masterpiece. Commissioned by Queen Anne of Brittany as gift for King Charles VIII of France, "The Hunt of the Unicorn" is another elaborate piece illustrating the hunt for the mythical unicorn.

Another unicorn-themed tapestry, "The Lady and the Unicorn" is currently displayed in France. Of unknown origin is the Valios Tapestry, a collection of eight tapestries depicting festivities and celebrations in France - specifically, the Court of France - during the 16th century.

Although illustrating French festivities, it was probably created in the Southern Netherlands (or the Spanish Netherlands). It is assumed to be commissioned by the Queen Catherine de Medici, the wife of King Henry II.

Most of the people in the Valoid Tapestry are members of the royal family of France. The events depicted in this wall hanging are based on the queen's "magnificences", or Catherine de Medici's lavish entertainment festivals.

Perhaps the reason for the French's prominence in the art of tapestry-making is the Gobelin's, a family who created a firm in Paris who made tapestry during the 16th century. First a family of dyers, they expanded their business and began creating tapestry for various government institutions in France.

They also supplied Louis XIV with various pieces of tapestries as well as the other monarch that succeeded him. Some of the works from the Gobelin Manufactory can be seen on display in various French museums today, including the actual Gobelin workshop, which is still open to tourists for tours.

Visit a trusted source to see many popular works-of-art including William the Conqueror, Bayeux Tapestry. There are 76 different tapestries from the Bayeux Tapestry Collection, showing the events leading up to The Battle of Hastings in 1066 and the battle itself. Educational and handsome masterpieces.

Use Wall Tapestries to Transform an Ordinary Room Into One With Unique Style

Since their existence, wall tapestries have been used to decorate the interior walls of many different buildings including churches, government buildings, castles and homes. Tapestries have a very unique and historical air about them. It's almost as if each tapestry hides a secret story within its intricate woven design.

Wall tapestries are very durable, and come from various cultural backgrounds including Asian, Italian, French, and Belgian. Aside from the cultural aspect, tapestries are available in different textures, as well as different designs including architecture, nature (trees, flowers), fantasy (unicorns, dragons, fairies), animals, medieval (castles, knights), royal crests, world map, art and modern art, as well as religious designs.

Since there are so many designs to choose from, you can literally find a wall tapestry to suit your personal taste or compliment any theme you may have in a room.

Why add wall tapestries as part of a room's décor? A wall tapestry provides your home with a sense of history and tradition. It can make any living space visually look larger than it is. A tapestry blends color and character and captures the attention of the eye. In addition, tapestries are an excellent conversation piece.

If you have decided to add a wall tapestry to a room in your home, you may be wondering how to choose a tapestry. Although the design is important when selecting a tapestry, texture is important as well.

Chenille is the most popular texture because it is extremely versatile material that is both flexible and soft. A chenille tapestry is elegant and warm, and is suitable to just about any type of décor, regardless if it is modern, chic, eclectic, or rustic.

Furthermore, chenille is a common fabric that is used to make throw pillows, window treatments and throw blankets. Therefore, you can add this texture in other parts of the décor in your room to link the tapestry with the other elements.

In addition to the design and texture, the size and colors of the tapestry matter. The reason is because where you hang the tapestry will determine the size and style best suited to the space.

For instance, if you would like to make a room look larger, the best type of tapestry is one that is horizontal which will help make the room appear wider. Moreover, a tapestry with vibrant colors, or one that depicts a scene with an open door or window helps to make a room look less cramped.

You should also only use one tapestry in a small room, as more than one can shrink the room by making it look too busy. On the other hand, if you wish to make a large space look smaller, hang a row of different sized tapestries in various designs and colors.

If you are looking for wall art that is a cut above the average, wall tapestries could very well be what you've been looking for. Discover the many fantastic tapestries available online and in local art and department stores, and infuse a little romance and history into the rooms of your home.

Jessica Ackerman writes for Wall Décor and Home Accents - check for specials on decorative metal wall art & decorative home décor accents.

Also make sure to read this important article on baby nursery decorating.

The Ladies of Camelot Medieval Tapestry

Men are the usual images present in medieval tapestry, which makes the tapestry "The Ladies in Camelot" a refreshing break from all the depictions of battles and knights. Popular medieval tapestries are depictions of knights and their quests and their battles.

Two popular tapestry series revolve on this theme, namely "The Hunt of the Unicorn" and the William Morris and Edward Burne-Jones creation, the Holy Grail tapestry. The women in the backdrop of the journeys and the battles of the knights, however, are mostly overlooked.

"The Ladies in Camelot", an elegant display of the beauty of the Arthurian legend is just a manifestation and a proof the women and ladies in Camelot are a major presence and play an important role in medieval tapestries.

Women figured largely on several medieval tapestries. It is important to note that while there were no women in the popular work, "The Hunt of the Unicorn", the presence of a maiden or a virgin figured largely in various interpretations of this piece. According to various pagan interpretations, this series alludes to the doomed love affair of two medieval lovers.

In medieval tapestries figuring of King Arthur, the presence of the ladies of Camelot can be boldly noted. These are perhaps one of the more noted depictions of women in medieval tapestry, since most of the known medieval tapestry pieces are European landscapes, knights, and battles.

The image of Guinevere is among the most prominent in these Arthurian tapestries and of the ladies of Camelot. Guinevere was King Arthur's queen consort and was famous for her affair with Sir Lancelot, Arthur's chief knight. Their affair is the cause of King Arthur's downfall, although the king did not realize the affair for some time.

The tapestry "The Ladies of Camelot" shows Guinevere in the woods with other women of Camelot. It is an elaborate piece that shows the beauty of the Arthurian legend, emphasizing the color and intrigue present in the story.

A popular Morris tapestry piece is "Queen Guinevere". Morris is responsible for several Arthurian tapestries in existence today. In fact, Arthurian legends were one of the staples in his company, Morris & Co, which is responsible for resurrecting the interest of the people in medieval tapestry.

Guinevere and the ladies of Camelot are present in several Arthurian tapestries. In two tapestries in the series-Arming and Departure for the Quest and Departure from Camelot the women of Camelot, including Guinevere, can be seen helping the knights.

In another popular tapestry, King Arthur, the king, holding his sword Excalibur with his shield Prydwen laid in from of him, was with Sir Lancelot and Guinevere. Other King Arthur tapestry has the presence of the ladies of Camelot and Guinevere, mostly those that concerns the events happening in the castle itself, such as The King's Court, The Royal Joust, and The Tournament at Camelot.

The Medieval Tapestry, The Ladies of Camelot is woven in France and does make a beautiful statement in wall decor for fine woven goods. Other exciting days of romance and glory come from the educational and fun, Medieval Tapestry Collection.

Wall Tapestry Ideas to Spruce Up Your Home Decor

To create a dramatic, elegant look and feel in your home, you'll need deep, rich colors with stimulating artistic designs. One way to achieve this look is to add wall tapestries. A tapestry is a fabric of multiple colors and designs, which are woven upon a warp by hand.

The finished tapestry can be used as a furniture throw or covering, a wall hanging, or for other adorning purposes.

Wall hangings can be used to accent any room. They come in all shapes and sizes, so you can use a wall tapestry to decorate a small wall in a hallway or as the center decor piece of a large room. Wall tapestries come in a variety of colors and designs, so you can easily find a pattern to match your current paint colors, wallpaper, flooring or carpet, and furnishings in any room.

Types of Wall Tapestries

Wall tapestries reflect many themes so you can easily find one to fit your style. If you prefer medieval decor, there are plenty of medieval tapestry patterns to choose from, including 11th century Bayeux, unicorns, King Arthur, Godfrey de Bouillon, Milani, Vendanges, and many others.

For a religious decor theme, some of the more popular wall hanging themes include Angel of Light, Christ, Be not afraid, Annunciation, The Last Supper, Madonna, The 23rd Psalm, Vierge Roc, etc. There are also Belgian and European wall tapestry themes, William Morris tapestries, and a variety of Eastern and Oriental creations.

If you prefer a more general home decor, try wall tapestries with animal and wildlife themes, floral patterns, nautical artwork, landscapes, or other general themes. World map tapestries are also popular for those who love to travel (or often dream of traveling) to foreign lands, or for anyone interested in world history and geography.

Wall Tapestry Decor Tips

Choose wall tapestries that will work well with your other decor accessories. Tapestries can be added near a lamp and table or on a wall beside a floor lamp. They also fit beautifully between a couple of wall sconces, which can be used to light up the tapestry and bring out its colors and designs.

For the kitchen, look for a wall tapestry to fit with your kitchen colors. Bright floral and fruit patterns work well in most kitchens. For the bathroom, hang a tapestry above a decorated shelf or near a mirror.

Tapestries with deep, rich colors usually look great in bath decor as well as those with scenic paintings such as country or farm scenes. Animal wall hangings look great in the bath or kitchen.

In the bedroom, hang a calming wall tapestry above your headboard or above a dresser. Accent the tapestry with wall flowers or figurine shelves. Tapestries also look great above fireplaces or in any dining area. Other accessories to consider along with tapestries are statues, rugs, lamps or chandeliers, silk flowers, paintings, family portraits, and wall fountains.

Wall tapestries can be used to add dramatic affect to any room's decor. Tapestries also work well to decorate any business office, restaurant, hotel room, or hospital rooms and waiting areas. Go online today to browse all the colors and themes available to find an affordable wall tapestry for your home or business.

Chris Robertson is an author of Majon International, one of the worlds MOST popular internet marketing companies on the web.

Learn more about Wall Tapestry Ideas for Home Decor.

Landscape Wall Tapestries - 5 Ways They Transform Your Home Decor

One of the greatest things about adding tapestries to your home, is that they take you to places like few other art forms can. Unlike paintings, tapestries have a presence about them due to the fact that they possess texture and depth, and because of the way they are woven.

This is especially so when it comes to landscape or scenery wall tapestries. For this reason, and several more, landscape tapestries have become and remained popular among art lovers and homemakers alike.

How do these tapestries transform a room or home when used as wall decor? Let's find out right now.

1 - Their ability to capture the attention

One of the great things about landscape tapestries as wall decor is that they capture the attention of visitors to your home. Paintings in homes and public places are quite common these days, and visitors often just tune them out.

But the final woven tapestry commands attention, not only for its subject matter but for its unique sense of 'presence'. The added depth and 'presence' that's only present in tapestries is impressive and can only be understood once you have experienced one before your eyes.

2 - The types of scenes they can portray

There are some amazing subject matter that you can have in your home portrayed through these tapestries. From beautiful landscapes and picturesque scenes to pristine lakes and stunning gardens, landscape tapestries transport you in time and space.

From the comfort of your own home you can be whisked away to a lakeside Italian scene, a fox hunt through the English countryside, or the lush gardens of the great castles in Versailles.

3 - A sense of perspective they give to your room or home

When you have a landscape scene adorning your wall, the entire room is transformed. This is because you and your visitor now see a scene which adds perspective to your room, and makes your entire room feel more expansive than it was before.

There is a sense of space created within the room itself, and the feeling this wall art gives is imparted to the entire room. If the piece is of a natural scene of a forest or lake for example, the feeling this gives is one of serenity.

4 - Their ability to suit any sized room

Whether you have a small room which needs some decorating or a large room which requires a large piece of art to fill a wall, then a landscape wall tapestry will fill this role nicely.

Wall tapestries come in a range of sizes to suit any area which needs to be decorated. So if you need a small scene of the forest woods or the large palatial grounds of Louis XIV, then there's a tapestry scene that will suit this role.

5 - They're affordable art

When you're in front of the tapestry, you'll see that the artistry of such greats as Francois Boucher and other great landscape painters, are captured elegantly in these woven works.

While the originals can be found in the finest museums in the world, faithful reproductions are very affordable. If you like wall art, then wall tapestry hangings are a superb way to show your sense of art and artistry as well.

So there you have it.

You now know the 5 reasons why so many people, from art lovers to homemakers, have used landscape tapestries to decorate a room, be it small or large. Wall art tapestries have unique properties which make them enduring classics in wall decor. You can use them as art forms to express your love of art, and to share your love of art with your guests as well.

Looking for wall decor? Then see this wide range of wall tapestry art that will transform any home. Tom Matherson writes for Worldwide Tapestries where you'll find a range of landscape wall tapestry art to suit any home.

Exquisite Tapestries Made From Broadloom Carpet

We all know that tapestries are rich in history, but did you know that tapestries date back as far as 3rd century BC in Greece? This form of textile art has a modern counterpart in the form of Carpet Sculpture. With recent advances in technology carpet sculpture has emerged as an attractive option for tapestry collectors and admirers.

Unlike woven tapestries, the medium of a carpet sculptor is broadloom carpet. The differences between the two methods are akin to a comparison between a flat two-dimensional plane and a depth oriented three-dimensional plane.

The common two dimensional tapestries are produced on vertical looms, whereas the three dimensional broadloom tapestries are produced through a sophisticated inlay process on horizontal table-top surfaces.

The 3-D effect is only established when the details of the tapestry are carved and beveled by a well trained carpet sculptor who uses a special high speed carving tool. This carving style can reflect simple clean lines or more advanced bas-relief like effects.

There are numerous carpet styles that can be integrated into a broadloom tapestry, these range from short dense pile heights to the thicker plush styles. Furthermore the style can have a loop element or even a patterned design. Often a tapestry will reflect a few broadloom styles within the whole composition.

This versatility in design makes the broadloom tapestry an attractive choice for wall hangings as corporate art pieces or in residential interiors. They are particularly suitable for large scale applications.

The scaled up versions can be installed in panel sections that are seamed together invisibly. Smaller Tapestries can be professionally mounted and hung like a traditional tapestry.

Inspirations in tapestry designs can originate with a photograph, a style of art, or a unique theme like horse racing, golfing, or a landscape setting. They can even reflect a story or a family history.

In wrapping up this article, we have seen a fascinating glimpse into the evolving world of modern textile art. Broadloom tapestries have taken on a new 3-dimensional look that captures the attention of art enthusiasts and expresses a depth never before seen in tapestry making.

Russell Webb, your friendly expert Custom Carpet Maker. If you're ready to discover the creative and exciting world of custom carpet sculpture, and have fun doing it, then why not request more information at http://www.custom-area-rugs.com/services.htm

Making an Impact With Tapestry Art

Warmth and comfort as well as a dramatic art statement can be added to a modern home with the clever use of tapestry. Textile art has been popular in American homes for centuries and is enjoying an increased popularity with the various styles and designs available.

During the 17th and late 19th century tapestries were the height of fashion in American homes as the new wealthy sought to emulate the aspirations of the Mother country. British fashions were imported as inspiration was transported across the seas to America and fashionable homes.

Splendid tapestries imported from Europe adorned many American homes in the 17th and 19th century. Elaborate designs were more often than not found in a parlour than in the bedroom and were very much on display.

Often a European made tapestry was among the most valued items listed in a householder's possession. America's industrial revolution and urbanisation of the cities gave rise to unprecedented wealth among the elite. These included the Vanderbilts and Astors. European style homes were inspired by and modelled on palaces in the Mother country.

The new American "Royalty" liked nothing more than to display their newly acquired wealth which included the resurrection of centuries old interior fashion design. George Washington Vanderbilt's Biltmore was such a house, having two magnificent eighteenth tapestries of Vulcan and Venus as a focal feature.

At Vanderbilt Mansion the bedroom of Frederick Vanderbilt was panelled with Circassian walnut and decorated with 17th century Flemish tapestry in an echo of European aristocratic fashion.

The work of William Morris, though short lived, proved very popular as the designs of the Arts and Crafts Movement swept across both sides of the Atlantic. These very distinctive patterns and designs furnished many homes and inspired new interest in tapestry art, although this turned out to be a short lived fashion with very little alternative innovative designs appearing for several decades.

The prospect of large and unbroken walls in homes with the development of rather austere furniture saw resurgence in popularity for tapestry art in the mid 20th century. The flexible charm of tapestry art was seen as a real alternative too a framed painting, particularly where people were more mobile than before. A well selected tapestry could furnish and add warmth to a home, yet was flexible enough to be rolled up and moved where necessary.

Today many people in search of inspiration and something different for their interior design choose a tapestry as a wall hanging. The quality and detail offer a unique feature to complement any wall and the texture brings a fresh perspective to many well known artistic forms such as the medieval tapestry range.

Tapestry may not have grown in a design context in America but the availability of different styles and designs means that a prospective buyer looking to add a special feature to the home has never had more choice. It is now very easy to be creative and style a room using exquisite pieces of wall art.

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Angela Dawson-Field writes extensively on home decor and tapestry & textile art. She divides her time between family and The Tapestry House

Interior Design - Do the Interior Design For Your Home by Using Tapestries and Other Accessories

Home interior decorating is all about smartening up the interior environment of a room to make it attractive and stylish. Interior design of a home reflects the tastes and style statements of the occupants.

The interior design of a room can be significantly enhanced and customized to make it compatible with the preferences of the occupants. There are countless accessories and home decorating ideas which can significantly alter the way your home looks.

One such accessory is Art tapestry. An art tapestry can enliven the corners of your room with its grandeur and splendour. Its sheer presence in a room can change the interior environment and brighten up the mood of the occupants the moment they enter.

That's why many interior design professionals extensively use these art tapestries to enhance the look of a home. The other advantage of using art tapestries is its low cost. In a limited budget, you can add beauty and class to your drawing or bed rooms.

Art tapestries are hand woven or machine made fabrics which are adorned with images and paintings. The images portray the social events or life styles of our ancestors. Therefore, you can find images of castles, historical monuments, lakes, landscapes and hunting scenes on these artefacts.

The tapestries are deftly crafted and the skilled craftsmanship can mesmerize anybody. The tapestries are a delight for art connoisseurs. We, at tapestries-tapestry.com, can help you do the interior design of your home in great style by providing you with rare and authentic tapestries.

The tapestries can be used as wall hangings or cushion covers in a room. There are also tapestry hand bags available which are great as showpiece items. And there are great many varieties of tapestries available to meet the preference and requirements of every homeowner.

You can choose from a comprehensive collection of Belgian tapestries, Medieval tapestries, Chenille tapestries, European tapestries, Italian tapestries, Flanders tapestries, William Morris Tapestries and Oriental tapestries. The tapestries have truly become great accessories for home decorating art.

However it is very important to buy original tapestries to experience its beauty. And for that you need a reliable and experienced supplier who can also advice you on home decorating art. Our online shop is known for supplying authentic art tapestries at competitive prices. So to book orders or for expert advice on home interior decorating please click at tapestries-tapestry.com.

Jude is a well known author who writes on topics related with Interior Design, Home decor and Tapestries Wall Hanging.

Decorating Your Home With Antique Tapestry

If you are interested in a unique wall design for a room in your home, you should consider antique tapestry. This rich form or textile art can add a wonderful design and character to your home. You can adorn a single wall, or all four of your walls with beautiful antique tapestry.

The wonderful thing about tapestry is that it is portable. If you want to redecorate later on, you can easily remove the antique tapestry from your wall and put it on another one. Historically, royalty used tapestry to decorate rooms in their castles. Heavy tapestry was used to help keep the castle rooms warm in the winter time.

Tapestry is the result of creative design that all starts out with a sketch. The ideas for the design of a tapestry are first drawn on a paper or a piece of cardboard. After that, a craftsman or weaver will use the sketch as a guide to create the tapestry. The colorful threads and fabrics are then added to give the design life and style. What wonderful item to display in your home!

When you are choosing a piece of antique tapestry to display in your home, pay attention to the details. Each thread was hand-picked; these threads were all chosen by someone who had a special design in mind. Study the patterns and examine what colors were used to create such a fine piece of art. Tapestries are almost like paintings without the paint.

The furniture in the room should have similar colors to the tapestry, to give the room a put together look. other antique items, like an antique lamp or other antique furniture can give the room an authentic feel. Make sure that other items in the room don't take away from the attractiveness of the antique tapestry.

There are some more modern tapestries available today, but most of these were created in factories. These are still very beautiful and intricately detailed. Even so, handmade tapestry is typically of a higher quality and each piece is unique. The handmade tapestries, particularly the antique ones, are priced much higher than the more modern factory made ones, but the value is truly priceless.

Back in time a tapestry was a symbol of royalty, wealth and status. Why not reflect that type of history in your home? The more appreciation you have for the art of an antique tapestry, the more you will enjoy showing it to visitors. Antique tapestry is sophisticated and debonair.

Victor Epand is an expert consultant for pottery, antiques, and figurines. When shopping for pottery, antiques and figurines, we recommend these online stores for pottery, antique tapestry

The Lady and the Unicorn Tapestries: a Medieval Mystery

Full of mystique and beauty, the Lady and the Unicorn series are among the best examples of medieval tapestry in existence. Many interpretations have been put forward through the ages, but there is no definite explanation as to the mystery behind the Lady and the Unicorn.

Dramatic Medieval Art Each tapestry in this striking series shows a unicorn interacting with a woman in some way with the unicorn representing the six human senses in some way. These are sight, smell, touch, sound, taste and love.

Throughout history unicorns have been a mysterious force and have been considered a representation of Christ. Many people believe in unicorns, although their existence has never been proven.

Unicorns are said to possess magical powers, and the Chinese believed the rare sighting of this creature signalled good fortune ahead. The horn is considered particularly magical with an ability to recognise and neutralise poisons with an antidote. During the medieval era the unicorn was linked to Christianity. According to legend it could only be tamed by the scent of a virgin.

The Lady: elegance and tranquillity Unicorns were only attracted to purity and being connected with Christ and his spiritual integrity meant that only a woman with virginal attributes could be linked with the creature. The tapestries have been interpreted in several different ways. One belief is that they are a representation of the Virgin Mary with Christ.

Another suggests the representation of a woman embracing the spiritual world by renouncing the physical one. These tapestries in their own classical and elegant way have widespread appeal, perhaps because of their pure and spiritual nature. People need to feel that which is good and these tapestries give the impression that good will prevail over evil.

The origins of the Lady and the Unicorn tapestries Originally the tapestries were made for a French nobleman, Jean Le Viste during the 15th century. The family coat of arms is visible in the tapestry serves. What is less clear is who designed the work, which family member they were intended for and how they came into existence.

Based on the style of the clothing in the tapestries it is thought the tapestries come from the late fifteenth century, and possibly designed for Jean le Viste himself in celebration of his promotion to the French Court in 1489.

When Le Viste died the tapestries were probably passed on through family connections, although the exact whereabouts was unknown for 200 years. In 1841 they were discovered by a member of the French government who recommended the purchase of this magnificent work of art. Following restorative work and a purchase for the nation the government donated them to the Cluny Museum where they can be seen today.

The mystique of the tapestry The origins of the tapestry remain a mystery to this day, with interpretation based on clues within the art itself. Perhaps the mystique of the work combined with elegance and purity affirms the appeal of these timeless pieces.

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Angela Dawson-Field writes on a number of subjects for the Tapestry House including The Lady and the Unicorn. and The Hunt of the Unicorn.